{"id":11734,"date":"2022-08-23T14:49:44","date_gmt":"2022-08-23T18:49:44","guid":{"rendered":"https:\/\/www.playwrights.ca\/2022\/08\/23\/the-resident-creators-glassco-translation-residency-copy\/"},"modified":"2023-03-16T11:39:47","modified_gmt":"2023-03-16T15:39:47","slug":"the-residents-gros-morne-residency","status":"publish","type":"post","link":"https:\/\/www.playwrights.ca\/fr\/2022\/08\/23\/the-residents-gros-morne-residency\/","title":{"rendered":"Announcing the 2022 Playwrights | D\u00e9voilement des Participant.e.s de 2022"},"content":{"rendered":"
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Playwrights\u2019 Workshop Montr\u00e9al (PWM) and le Centre des auteurs dramatiques<\/a> (CEAD) in partnership with Creative Gros Morne<\/a>, the Bonne Bay <\/a>Aquarium, the Fondation Cole<\/a>, and Artistic Fraud<\/a> of Newfoundland are excited to announce the seven playwrights participating in the 2022 R\u00e9sidence d\u2019\u00e9criture th\u00e9\u00e2trale de Gros Morne<\/a> in Newfoundland. <\/p>\n\n\n\n

From October 13 to 24, 2022, Sharon Bala, <\/strong>Lois Brown<\/strong>, <\/em><\/strong>Marie-H\u00e9l\u00e8ne Larose-Truchon<\/strong>, Johanne Parent, <\/strong>Alicia Payne, <\/strong>Julie-Anne Ranger-Beauregard, <\/strong>et <\/strong>Scout Rexe<\/strong> <\/strong>will be staying at the Bonne Bay Marine Station in Norris Point, located in Gros Morne National Park, Newfoundland and Labrador.<\/p>\n\n\n\n

The Gros Morne Playwrights\u2019 Residency is a dual-lingual residency that welcomes playwrights from across the country to write, dream, share and create. The residents will have the opportunity to explore their plays during unstructured writing time, one-on-one dramaturgical conversations, and in group discussions with works being shared every evening. The program offers dramaturgy in French and English.<\/p>\n\n\n\n

Look out for future social media posts about the artists and the residency.<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n

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Playwrights’ Workshop Montr\u00e9al (PWM) et le Centre des auteurs dramatiques<\/a> (CEAD), en partenariat avec Creative Gros Morne<\/a>, l\u2019Aquarium de Bonne Bay<\/a>, la Fondation Cole<\/a> et Artistic Fraud<\/a> de Terre-Neuve, sont heureux de d\u00e9voiler le nom des sept auteurs et autrices qui ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s pour participer \u00e0 la R\u00e9sidence canadienne d\u2019auteurs dramatiques de Gros-Morne<\/a> 2022, \u00e0 Terre-Neuve-et-Labrador.<\/p>\n\n\n\n

Du 13 au 24 octobre 2022, Sharon Bala, Lois Brown, Marie-H\u00e9l\u00e8ne Larose-Truchon, Johanne Parent, Alicia Payne, Julie-Anne Ranger-Beauregard <\/strong>et Scout Rexe<\/strong> s\u00e9journeront \u00e0 la Bonne Bay Marine Station de Norris Point, situ\u00e9e dans le parc national de Gros Morne, \u00e0 Terre-Neuve-et-Labrador.<\/p>\n\n\n\n

La r\u00e9sidence d\u2019\u00e9criture th\u00e9\u00e2trale de Gros-Morne est une r\u00e9sidence bilingue qui accueille des auteurs de tout le pays pour \u00e9crire, r\u00eaver, partager et cr\u00e9er. Les r\u00e9sidents auront l’occasion d’explorer leurs pi\u00e8ces pendant des p\u00e9riodes d’\u00e9criture non structur\u00e9es, des conversations dramaturgiques individuelles et des discussions de groupe, les \u0153uvres en d\u00e9veloppement \u00e9tant partag\u00e9es chaque soir. Le programme propose une dramaturgie en fran\u00e7ais et en anglais.<\/p>\n\n\n\n

Surveillez les prochains messages sur les r\u00e9seaux sociaux concernant les artistes et la r\u00e9sidence.<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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Meet the playwrights \/ Rencontrez les auteurs<\/h2>\n\n\n\n

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Sharon Bala, Newfoundland<\/strong> <\/h5>\n\n\n\n

PLAY IN DEVELOPMENT: UNCERTAINTY PRINCIPLE<\/em><\/strong><\/p>\n\n\n\n

Sharon Bala\u2019s bestselling debut novel, The Boat People<\/em>, won the 2020 Newfoundland & Labrador Book Award and the 2019 Harper Lee Prize for Legal Fiction, was short listed for several awards, and is in translation in four languages. In 2017 she won the Writers\u2019 Trust\/ McClelland & Stewart Journey Prize for her short story \u201cButter Tea at Starbucks\u201d and had a second story on the long-list. Sharon is a member of The Port Authority, a St. John\u2019s writing group. <\/p>\n\n\n\n

Visit her at: sharonbala.com<\/a><\/p>\n\n\n\n

Photo credit: \u200b\u200bNadra Ginting<\/p>\n<\/div>\n<\/div>\n\n\n\n

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LOIS BROWN, NEWFOUNDLAND<\/h5>\n\n\n\n

PLAY IN DEVELOPMENT: DRINKING AGAIN<\/em><\/strong><\/p>\n\n\n\n

Born in Corner Brook, Newfoundland and educated in Drama at The University of Alberta, Lois Brown established her cross-disciplinary artistic practice in St. John’s. She is past Artistic Animateur of RCA Theatre Company (1993-97), original member and past Curator of Neighbourhood Dance Works (1982-89, 1990-92), and past Artist in Residence and dramaturg at Playwrights\u2019 Workshop Montr\u00e9al, Montr\u00e9al, Qu\u00e9bec, Canada (2010-13). In 2004, she was one of five Canadian directors short-listed for the Elinore & Lou Siminovitch Prize. In 2005, she was awarded The Victor Martyn Lynch-Staunton Award for outstanding achievement in theatre by a mid-career Canadian artist by The Canada Council for the Arts. She has received numerous recognitions for work and has been inducted into Dance Canada Danse Encore! Dance Hall of Fame. Lois holds a Masters from Memorial University, where she has taught acting and directing. Since an accident in 2008, Lois has brought her growing interest in disability arts aesthetics, and her explorations of dramaturgy and choreography to her ongoing investigation of improvisation and of “things”. The resulting work found her aiming beyond interdisciplinariness, beyond a synthesis of disciplinary approaches towards something else, another dimension of expression and experience. <\/p>\n\n\n\n

Portrait credit: Jeremy Gordaneer<\/p>\n<\/div>\n<\/div>\n\n\n\n

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MARIE-H\u00c9L\u00c8NE LAROSE-TRUCHON, QU\u00c9BEC <\/h5>\n\n\n\n

TEXTE EN COURS DE D\u00c9VELOPPEMENT: (SANS TITRE)<\/strong><\/p>\n\n\n\n

\u00c0 sa sortie de l\u2019\u00c9cole nationale de th\u00e9\u00e2tre du Canada en \u00e9criture dramatique, Marie-H\u00e9l\u00e8ne Larose-Truchon gagne le concours \u00ab th\u00e9\u00e2tre jeune public et la rel\u00e8ve \u00bb. Ses pi\u00e8ce Minuit (Lem\u00e9ac) et Un Oiseau m\u2019attend ont re\u00e7u des mentions au prix Gratien-G\u00e9linas. Elle est la laur\u00e9ate du prix Gratien-G\u00e9linas 2021 pour sa pi\u00e8ce Le Jardin d\u2019\u00c9den. Elle est aussi l’autrice des pi\u00e8ces jeune public Cr\u00e8me-Glac\u00e9e et Amande-Amandine toutes deux publi\u00e9es chez L\u2019Arche \u00c9diteur. Ces pi\u00e8ces ont \u00e9t\u00e9 produites par le Petit Th\u00e9\u00e2tre de Sherbrooke, le Double Signes, le th\u00e9\u00e2tre de la Seizi\u00e8me, le th\u00e9\u00e2tre de la Petite Mar\u00e9e et en France par Th\u00e9\u00e2tre en sc\u00e8ne et L\u2019insomniaque cie.<\/p>\n\n\n\n

Cr\u00e9dit photo: Jessica Garneau<\/p>\n<\/div>\n<\/div>\n\n\n\n

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JOHANNE PARENT, NEW BRUNSWICK<\/h5>\n\n\n\n

TEXTE EN COURS DE D\u00c9VELOPPEMENT: P\u00c2QUES<\/em><\/strong><\/p>\n\n\n\n

Johanne Parent a fait des \u00e9tudes en litt\u00e9rature \u00e0 l\u2019Universit\u00e9 de Moncton. Sa premi\u00e8re pi\u00e8ce remporte le volet jeunesse du Prix litt\u00e9raire Antonine-Maillet Acadie-vie en 2001. Depuis, ses textes ont fait l\u2019objet de mises en lectures professionnelles notamment au Festival \u00e0 Haute-voix du Th\u00e9\u00e2tre L\u2019Escaouette et \u00e0 La Salle des machines du Centre des auteurs dramatiques.  En 2018, elle est invit\u00e9e par l\u2019Association des th\u00e9\u00e2tres francophones du Canada \u00e0 participer \u00e0 une r\u00e9sidence d\u2019\u00e9criture \u00e0 Banff o\u00f9 elle cr\u00e9era les bases d\u2019Ornithorynques. Elle habite le nord du Nouveau-Brunswick.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Alicia payne, Ontario <\/h5>\n\n\n\n

PLAY IN DEVELOPMENT: WHEN IT MATTERS MOST<\/em><\/strong><\/p>\n\n\n\n

Alicia Payne is a multi-disciplinary artist whose credits include theatre, film, television and radio. Professional memberships include, ACTRA, CAEA, Dramatists Guild of America and Playwrights Guild of Canada where she served as president. Alicia facilitates workshops with youth and adults in community and organizational settings. Presentations of Alicia\u2019s work include: Canadian Forces Artists Program Exhibition (Group 6), Atlanta Black Theatre Festival, National Black Theatre Festival (North Carolina) and Valdez Theatre Conference (Alaska). Alicia narrated the audiobook Flower Diary<\/em> by Molly Peacock and is a co-founder of Arbez Drama Projects. Alicia believes in the power of storytelling to build community.<\/p>\n\n\n\n

Photo credit: Richard Yagutilov<\/p>\n<\/div>\n<\/div>\n\n\n\n

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JULIE-ANNE RANGER-BEAUREGARD, QU\u00c9BEC <\/h5>\n\n\n\n

TEXTE EN COURS DE D\u00c9VELOPPEMENT: PORCELAINES<\/em><\/strong><\/p>\n\n\n\n

Julie-Anne Ranger-Beauregard est dipl\u00f4m\u00e9e de l\u2019\u00c9cole Nationale de Th\u00e9\u00e2tre du Canada (\u00c9criture dramatique, 2010) et de l\u2019\u00c9cole Nationale de l\u2019Humour (Sc\u00e9narisation, 2017). Sa pi\u00e8ce Quatre filles (adaptation du roman Little Women de Louisa May Alcott) a \u00e9t\u00e9 pr\u00e9sent\u00e9e en mars-avril 2022 sur les planches du Th\u00e9\u00e2tre Denise-Pelletier (m.e.s. Louis-Karl Tremblay). Pr\u00e9c\u00e9demment, sa pi\u00e8ce Les inconnus (finaliste du prix de la dramaturgie francophone de la SACD, 2015) a \u00e9t\u00e9 jou\u00e9e \u00e0 la Petite Licorne en septembre 2016 (m.e.s. Fr\u00e9d\u00e9ric Blanchette). Prochainement, elle co-signera l\u2019adaptation du roman Manikanetish de Naomi Fontaine, pr\u00e9sent\u00e9e au Th\u00e9\u00e2tre Duceppe en mars 2023 (m.e.s. Jean-Simon Traversy).<\/p>\n\n\n\n

Cr\u00e9dit photo: Guillaume Sauriol Lacoste<\/p>\n<\/div>\n<\/div>\n\n\n\n

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scout Rexe, Manitoba <\/h5>\n\n\n\n

PLAY IN DEVELOPMENT: CULT PLAY<\/em><\/strong><\/p>\n\n\n\n

Scout Rexe (they\/she) is a playwright and dramaturg. As a writer, their work explores queer and trans identities, celebrity, sexual violence, and social change. Guillermo Verdeccia called Rexe\u2019s first full-length play This is the August <\/em>(SummerWorks, 2016) a \u201csmart, funny play, rich with the complexities of contemporary life in the west.\u201d Her first short play Lodged in the Body<\/em> (Theatre of the Beat, 2018-2019) was commissioned and toured Canada and the Netherlands, reaching over 2000 people. Rexe is currently writing O Death<\/em>, a full length play with music, and Cult Play<\/em>, which they will be focusing on during their time at Gros Morne.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Robert Chafe<\/strong> (Artistic Fraud),  Sara Dion<\/strong> (CEAD), Fatma Sarah Elkashef<\/strong> (PWM) and  Emma Tibaldo<\/strong> (PWM)  will collaborate as partner-dramaturgs for the group.<\/p>\n\n\n\n


Robert Chafe<\/strong> (Artistic Fraud),  Sara Dion<\/strong> (CEAD), Fatma Sarah Elkashef<\/strong> (PWM) et  Emma Tibaldo<\/strong> (PWM) collaboreront en tant que partenaires-dramaturges pour le groupe.<\/p>\n<\/div>\n\n\n\n

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Meet the playwrights \/ Rencontrez les auteurs Sharon Bala, Newfoundland PLAY IN DEVELOPMENT: UNCERTAINTY PRINCIPLE Sharon Bala\u2019s bestselling debut novel, The Boat People, won the 2020 Newfoundland & Labrador Book Award and the 2019 Harper Lee Prize for Legal Fiction, was short listed for several awards, and is in translation in four languages. In 2017 … <\/p>\n

Continuer la lecture de « Announcing the 2022 Playwrights | D\u00e9voilement des Participant.e.s de 2022 »<\/span><\/a><\/p>","protected":false},"author":23,"featured_media":12107,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"ub_ctt_via":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10,22],"tags":[193,174,201,200,18],"class_list":["post-11734","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-calls","category-residencies","tag-193","tag-announcement","tag-cead","tag-gros-morne","tag-residency"],"featured_image_src":"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2022\/08\/ANNOUNCING-THE-2022-GROS-MORNE-RESIDENCY-PLAYWRIGHTS.jpg","author_info":{"display_name":"Quinlan Green","author_link":"https:\/\/www.playwrights.ca\/fr\/author\/quinlan\/"},"jetpack_featured_media_url":"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2022\/08\/ANNOUNCING-THE-2022-GROS-MORNE-RESIDENCY-PLAYWRIGHTS.jpg","yoast_head":"\nAnnouncing the 2022 Playwrights | D\u00e9voilement des Participant.e.s de 2022 - 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