{"id":7179,"date":"2020-02-14T09:00:00","date_gmt":"2020-02-14T14:00:00","guid":{"rendered":"https:\/\/www.playwrights.ca\/?p=7179"},"modified":"2020-02-25T14:26:10","modified_gmt":"2020-02-25T19:26:10","slug":"public-reading-of-mizushobai-the-water-trade","status":"publish","type":"post","link":"https:\/\/www.playwrights.ca\/fr\/2020\/02\/14\/public-reading-of-mizushobai-the-water-trade\/","title":{"rendered":"Mise en Lecture de Mizush\u014dbai (The Water Trade)"},"content":{"rendered":"<p><strong>Date :<\/strong> vendredi 28 f\u00e9vrier 2020<br><strong>Heure :<\/strong> 19h<br><strong>Lieu :<\/strong> Studio PWM,\u00a07250 rue Clark Suite 103, Montreal, QC\u00a0 H2R 2Y3<br>Veuillez noter que Playwrights\u2019 Workshop Montr\u00e9al n\u2019est pas situ\u00e9 dans un b\u00e2timent enti\u00e8rement accessible. Notre espace est situ\u00e9 au-dessus du niveau de la rue et n'est accessible que par un escalier (neuf marches). Plus d'informations <a href=\"https:\/\/www.playwrights.ca\/fr\/accessibility\/\">ici<\/a>.<br><br><em>Cet \u00e9v\u00e8nement est GRATUIT. Les dons sont les bienvenus \u00e0 la porte.<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">N'oubliez de r\u00e9server, les si\u00e8ges sont limit\u00e9s.<\/h2>\n\n\n\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link has-background\" href=\"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSeZA84HKcYkNVnQG_49myv2MpE9ZZc1yltPbPAToilWr1Dr7g\/viewform\" style=\"background-color:#2f0bc3\" target=\"_blank\" rel=\"noreferrer noopener\">RSVP<\/a><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Synopsis<\/h3>\n\n\n\n<p><em>Mizush\u014dbai (The Water Trade)<\/em>&nbsp;explore la vie de Kiyoko Tanaka-Goto, une jeune mari\u00e9e japonaise devenue femme d'affaires \u00abclandestine\u00bb dans les ann\u00e9es 1930 en Colombie-Britannique. La pi\u00e8ce plonge dans son histoire, non pas en tant que dame-dragon clich\u00e9e (bien qu'elle le soit parfois), ni comme une fille consciencieuse (bien qu'elle le soit parfois), ni comme un corps asiatique f\u00e9minin soumis et sexualis\u00e9 (bien qu'elle le soit parfois), mais en tant que membre pr\u00e9cieux de la soci\u00e9t\u00e9 canadienne qui a d\u00fb lutter contre les attentes et pour l'autonomie et la reconnaissance \u00e0 chaque \u00e9tape. <\/p>\n\n\n\n<p>\"Ce qui me fascine chez Kiyoko, c'est qu'elle a enfreint TOUTES LES R\u00c8GLES et attentes culturelles, genr\u00e9es et soci\u00e9tales.\"<\/p>\n\n\n\n<p><em>Mizush\u014dbai (The Water Trade)<\/em> a \u00e9t\u00e9 d\u00e9velopp\u00e9e avec Playwrights\u2019 Workshop Montr\u00e9al \u00e0 travers une vari\u00e9t\u00e9 de programmes, y compris la R\u00e9sidence d'\u00e9criture th\u00e9\u00e2trale de Gros Morne et la R\u00e9sidence Est\u00e9rELLE.<br><\/p>\n\n\n\n<p><em>Mizush\u014dbai (The Water Trade)<\/em>&nbsp;a \u00e9t\u00e9 le r\u00e9cipiendaire de la premi\u00e8re commission <em><a href=\"https:\/\/tableaudhote.ca\/development\/more-than-a-footnote\/\">More than a footnote<\/a><\/em> du Th\u00e9\u00e2tre Tableau D'H\u00f4te, et a re\u00e7u un soutien financier de la Fondation Cole et du Conseil des Arts du Canada. <\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Avertissements<\/h5>\n\n\n\n<p>R\u00e9f\u00e9rences sexuelles, Langage adulte<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u00c0 propos de l'auteure<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large is-style-circle-mask\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"300\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2019\/02\/Julie-Tamiko-Manning_web.png\" alt=\"\" class=\"wp-image-4394\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>Julie Tamiko Manning<\/strong> est une com\u00e9dienne et cr\u00e9atrice de th\u00e9\u00e2tre prim\u00e9e \u00e9tablie \u00e0 Montr\u00e9al. <\/p>\n\n\n\n<p>R\u00f4les choisis incluent: Sin dans <em>Paradise Lost <\/em>(Centaur), Annie dans <em>Jean Dit<\/em> (Th\u00e9\u00e2tre D\u2019Aujourd\u2019hui), et Elena dans <em>Butcher<\/em> (Centaur).<\/p>\n\n\n\n<p>Sa premi\u00e8re pi\u00e8ce, <em>Mixie and the Halfbreeds<\/em> (avec Adrienne Wong), est une pi\u00e8ce sur l'identit\u00e9 mixte dans plusieurs univers, d'abord commissionn\u00e9e comme pi\u00e8ce radiophonique par CBC, puis adapt\u00e9e pour la sc\u00e8ne du Neworld Theatre de Vancouver. Sa deuxi\u00e8me pi\u00e8ce, <em>The Tashme Project: The Living Archives<\/em> (avec Matt Miwa) est une pi\u00e8ce en un acte sur les camps d'internement des Canadiens japonais pendant la Seconde Guerre mondiale, qui a r\u00e9cemment fait une tourn\u00e9e \u00e0 Montr\u00e9al (Centaur), Toronto (Factory), Vancouver (Firehall) et Ottawa (Prismatic Arts Festival \/ GCTC). <\/p>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">\u00c9quipe Cr\u00e9ative<\/h3>\n\n\n\n<p>This play is currently in development.<\/p>\n\n\n\n<p>Pi\u00e8ce par <strong>Julie Tamiko Manning<\/strong><\/p>\n\n\n\n<p>Dramaturgie par <strong>Emma Tibaldo<\/strong><\/p>\n\n\n\n<p>Avec <strong>Deena Aziz, Brenda Kamino, Kyungseo Min, Mahalia Golnosh Tahririha, Annie Yao<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Date: Friday, February 28, 2020Time: 7 PMVenue: PWM Studio,&nbsp;7250 Clark St Suite 103, Montreal, QC&nbsp; H2R 2Y3Please note that Playwrights\u2019 Workshop Montr\u00e9al is not located in a fully accessible building. Our space is located above street level and is only accessible via a flight of stairs (nine steps). More info here. This is a&nbsp;FREE event. &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.playwrights.ca\/fr\/2020\/02\/14\/public-reading-of-mizushobai-the-water-trade\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo; Public Reading of Mizush\u014dbai (The Water Trade) &raquo;<\/span><\/a><\/p>","protected":false},"author":13,"featured_media":7180,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"ub_ctt_via":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[20],"tags":[146,145],"class_list":["post-7179","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","tag-canadian-theatre","tag-public-reading"],"featured_image_src":"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/02\/water-trade1920x1080.jpg","author_info":{"display_name":"Marc Duez","author_link":"https:\/\/www.playwrights.ca\/fr\/author\/marc\/"},"jetpack_featured_media_url":"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/02\/water-trade1920x1080.jpg","yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Public Reading of Mizush\u014dbai (The Water Trade) - Playwrights&#039; Workshop Montr\u00e9al<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.playwrights.ca\/fr\/2020\/02\/14\/public-reading-of-mizushobai-the-water-trade\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Public Reading of Mizush\u014dbai (The Water Trade) - Playwrights&#039; Workshop Montr\u00e9al\" \/>\n<meta property=\"og:description\" content=\"Date: Friday, February 28, 2020Time: 7 PMVenue: PWM Studio,&nbsp;7250 Clark St Suite 103, Montreal, QC&nbsp; H2R 2Y3Please note that Playwrights\u2019 Workshop Montr\u00e9al is not located in a fully accessible building. Our space is located above street level and is only accessible via a flight of stairs (nine steps). More info here. This is a&nbsp;FREE event. &hellip; Continuer la lecture de &laquo; Public Reading of Mizush\u014dbai (The Water Trade) &raquo;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.playwrights.ca\/fr\/2020\/02\/14\/public-reading-of-mizushobai-the-water-trade\/\" \/>\n<meta property=\"og:site_name\" content=\"Playwrights&#039; Workshop Montr\u00e9al\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/PlaywrightsWorkshopMontreal\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-02-14T14:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-02-25T19:26:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/02\/water-trade1920x1080.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<meta name=\"twitter:creator\" content=\"@PWMontreal\" \/>\n<meta name=\"twitter:site\" content=\"@PWMontreal\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.playwrights.ca\/fr\/#website\",\"url\":\"https:\/\/www.playwrights.ca\/fr\/\",\"name\":\"Playwrights&#039; Workshop Montr\\u00e9al\",\"description\":\"Nationally-mandated theatre development centre\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.playwrights.ca\/fr\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-CA\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.playwrights.ca\/2020\/02\/14\/public-reading-of-mizushobai-the-water-trade\/#primaryimage\",\"inLanguage\":\"fr-CA\",\"url\":\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/02\/water-trade1920x1080.jpg\",\"width\":1920,\"height\":1080},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.playwrights.ca\/2020\/02\/14\/public-reading-of-mizushobai-the-water-trade\/#webpage\",\"url\":\"https:\/\/www.playwrights.ca\/2020\/02\/14\/public-reading-of-mizushobai-the-water-trade\/\",\"name\":\"Public Reading of Mizush\\u014dbai (The Water Trade) - Playwrights&#039; Workshop Montr\\u00e9al\",\"isPartOf\":{\"@id\":\"https:\/\/www.playwrights.ca\/fr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.playwrights.ca\/2020\/02\/14\/public-reading-of-mizushobai-the-water-trade\/#primaryimage\"},\"datePublished\":\"2020-02-14T14:00:00+00:00\",\"dateModified\":\"2020-02-25T19:26:10+00:00\",\"author\":{\"@id\":\"https:\/\/www.playwrights.ca\/fr\/#\/schema\/person\/4107cbfbbab2dc649aaa71c6169a85bb\"},\"inLanguage\":\"fr-CA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.playwrights.ca\/2020\/02\/14\/public-reading-of-mizushobai-the-water-trade\/\"]}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.playwrights.ca\/fr\/#\/schema\/person\/4107cbfbbab2dc649aaa71c6169a85bb\",\"name\":\"Marc Duez\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.playwrights.ca\/fr\/#personlogo\",\"inLanguage\":\"fr-CA\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/2319cbc5303fce2f10670e61408707a0f07b37fc9055aeace0c195ec75cfd279?s=96&d=mm&r=g\",\"caption\":\"Marc Duez\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/posts\/7179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/comments?post=7179"}],"version-history":[{"count":9,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/posts\/7179\/revisions"}],"predecessor-version":[{"id":7240,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/posts\/7179\/revisions\/7240"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/media\/7180"}],"wp:attachment":[{"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/media?parent=7179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/categories?post=7179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/tags?post=7179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}