{"id":8391,"date":"2020-12-14T10:00:26","date_gmt":"2020-12-14T15:00:26","guid":{"rendered":"https:\/\/www.playwrights.ca\/2020\/12\/14\/writing-the-political-through-the-personal-copy\/"},"modified":"2020-12-14T18:22:34","modified_gmt":"2020-12-14T23:22:34","slug":"archipelago-dramaturgies","status":"publish","type":"post","link":"https:\/\/www.playwrights.ca\/fr\/2020\/12\/14\/archipelago-dramaturgies\/","title":{"rendered":"POSTULER MAINTENANT : Archipels dramaturgiques \u2013 un monde de circulations"},"content":{"rendered":"<h3 class=\"wp-block-heading\">Joignez-vous \u00e0 nous pour une semaine d'ateliers pratiques bilingues avec Jessie Mill et Katalin Trencs\u00e9nyi!<\/h3>\n\n\n\n<figure class=\"wp-block-pullquote is-style-default\"><blockquote><p><em>\u00ab Toute pens\u00e9e archip\u00e9lique est pens\u00e9e du tremblement, de la non-pr\u00e9somption, mais aussi de l\u2019ouverture et du partage \u00bb<\/em><\/p><cite>\u2014 \u00c9douard Glissant, Trait\u00e9 du Tout-Monde<\/cite><\/blockquote><\/figure>\n\n\n\n<p>Playwrights\u2019 Workshop Montr\u00e9al (PWM), en collaboration avec le <a href=\"https:\/\/www.cead.qc.ca\/cead\/mandate\">Centre des auteurs dramatiques<\/a> (CEAD) annonce sa troisi\u00e8me semaine d\u2019atelier intensif de dramaturgie, <em>Archipelago Dramaturgies\/Archipel de dramaturgies<\/em>, men\u00e9 par Jessie Mill et Katalin Trencs\u00e9nyi. Cet atelier sera consacr\u00e9 \u00e0 l\u2019exploration, \u00e0 l\u2019\u00e9change et aux partages de pratiques dramaturgiques dynamiques, favorisant la circulation entre les cultures et les arts, \u00e0 travers des collaborations, des d\u00e9bats et des discussions. Au sein de l\u2019environnement cr\u00e9\u00e9 pour cette aventure collective, nous cultiverons le respect et la confiance pour favoriser l\u2019exp\u00e9rimentation et la prise de risque, la possibilit\u00e9 de douter, voire d\u2019\u00e9chouer en toute libert\u00e9, pour permettre l\u2019approfondissement des d\u00e9marches sans imp\u00e9ratifs de r\u00e9sultat. L\u2019atelier se d\u00e9roulera dans un format <strong>hybride<\/strong> (sur site et en ligne) et <strong>bilingue<\/strong> (fran\u00e7ais et anglais).<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Calendrier<\/h4>\n\n\n\n<p><em>(Atelier mixte sur site et virtuel de 5 jours)<\/em><br><em><br><\/em>De 9h30 \u00e0 17h00 HNE tous les jours <br>Du lundi 8 mars au vendredi 12 mars 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Location du site<\/h4>\n\n\n\n<p>7250 rue Clark, #103<br>Montr\u00e9al, QC<br>H2R 2Y3<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"translation-block\">Le programme de cette ann\u00e9e s\u2019inspire dans sa th\u00e9matique de la g\u00e9ographie locale et des forces et courants de la nature. Ainsi, \u00e0 partir d\u2019une r\u00e9flexion archip\u00e9lique au croisement des disciplines (g\u00e9ographie, philosophie et dramaturgie) nous chercherons des approches propres aux arts vivants pour naviguer \u00e0 travers les courants, contrecourants, entre les cultures, pratiques artistiques et syst\u00e8mes de connaissances.<\/p>\n\n\n\n<p>Ancr\u00e9 dans le contexte montr\u00e9alais et dans les r\u00e9alit\u00e9s plurielles de nos communaut\u00e9s artistiques, l\u2019atelier sera construit sur mesure pour r\u00e9pondre aux projets des participant.e.s et alimenter de riches \u00e9changes entre nous, dans l\u2019espoir de cr\u00e9er des r\u00e9sonances et des circulations \u00e0 l\u2019int\u00e9rieur du groupe.&nbsp;<\/p>\n\n\n\n<p class=\"translation-block\">Pour explorer la dramaturgie sous cette perspective, nous emprunterons chaque jour une porte d\u2019entr\u00e9e diff\u00e9rente : l\u2019espace\/le temps, le corps\/la physicalit\u00e9, le texte\/ la traduction, le son\/le silence\/la voix, et le public. Gr\u00e2ce \u00e0 ces \u00e9l\u00e9ments et au partage des questions et des enjeux de chacun.e, nous (in)formerons ensemble des archipels dramaturgiques \u00e0 m\u00eame de soutenir et de renforcer nos pratiques.<\/p>\n\n\n\n<p>L\u2019atelier proposera les formats suivants\u00a0:&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-list\"><li>travail en studio (en groupe);<\/li><li>travaux individuels et lecture;<\/li><li>rencontres avec des invit\u00e9.e.s (en ligne et en personne);<\/li><li>discussions;<\/li><li>acc\u00e8s \u00e0 des documents visuels, \u00e0 des enregistrements et \u00e0 des films;<\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-list\"><li>espace de ressources virtuel\u00a0\/\u00a0en ligne partag\u00e9;<\/li><li>soutien dramaturgique individuel;<\/li><li>une sortie au th\u00e9\u00e2tre;<\/li><li>une f\u00eate de cl\u00f4ture.<\/li><\/ul>\n<\/div>\n<\/div>\n\n\n\n<p>PWM et le CEAD offrent la possibilit\u00e9 \u00e0 huit dramaturges (toutes disciplines de la sc\u00e8ne confondues) ou <em>\u00e9quipes de travail<\/em> (2 personne, i.e. un.e dramaturge accompagn\u00e9 d\u2019un.e auteur.rice, concepteur.rice, chor\u00e9graphe, etc.) de participer \u00e0 cette semaine d\u2019exploration des pratiques. Les participant.e.s doivent s\u2019inscrire avec un projet, une pi\u00e8ce ou un enjeu de recherche stimulant sur le plan dramaturgique et qui r\u00e9sonne avec ces mots-cl\u00e9s.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Mots-cl\u00e9s et inspirations<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-list\"><li>entredeux;<\/li><li>interconnexions;<\/li><li>connexions;<\/li><li>formes dynamiques;<\/li><li>courants transversaux;<\/li><li>contrecourants;<\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-list\" id=\"block-feb1b66d-3ca8-45e9-ac83-828eff4db68a\"><li>constellations;<\/li><li>relations;<\/li><li>hybridit\u00e9;<\/li><li>m\u00e9tamorphose;<\/li><li>transformation;<\/li><li>\u00e9tats fluides.<\/li><\/ul>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Crit\u00e8res d\u2019admissibilit\u00e9<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>s\u2019inscrire en tant que dramaturge ou faire partie d\u2019une \u00e9quipe de travail dramaturge\/artiste;<\/li><li>venir avec un projet ou une partie de projet ou avoir une question\/un projet en t\u00eate que vous souhaitez explorer;<\/li><li>\u00eatre pr\u00eat.e \u00e0 faire une courte pr\u00e9sentation (15 minutes) sur votre projet devant les autres membres de l'atelier;<\/li><li>avoir les comp\u00e9tences en anglais et en fran\u00e7ais pour suivre et participer \u00e0 une conversation bilingue;<\/li><li>\u00eatre ouvert \u00e0 la collaboration et curieux;<\/li><li class=\"translation-block\">\u00eatre disponible pendant <strong>toute<\/strong> la dur\u00e9e de la semaine intensive.<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Comment postuler<\/h3>\n\n\n\n<p>Pour postuler, envoyez une courte candidature en anglais ou en fran\u00e7ais \u00e0 Harris Frost \u00e0&nbsp;<a href=\"mailto:harris@playwrights.ca\">harris@playwrights.ca <\/a>avec la ligne d'objet: Application - Archipels dramaturgiques. Votre candidature doit r\u00e9pondre \u00e0 ces questions :<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Nom(s) et coordonn\u00e9es;<\/li><li>Quel est le projet en cours que vous souhaitez examiner dans le cadre de l\u2019atelier;<\/li><li>Comment cet atelier peut-il vous \u00eatre utile;<\/li><li>Une courte biographie;<\/li><li>Confirmation de votre disponibilit\u00e9 pendant toute la dur\u00e9e de l\u2019atelier;<\/li><li>Tout accommodement n\u00e9cessaire relatif \u00e0 l\u2019accessibilit\u00e9.<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Postulez avant 23h59 le 11 janvier 2021 pour vous assurer que votre candidature sera prise en consid\u00e9ration.<\/strong><\/h4>\n\n\n\n<h3 class=\"wp-block-heading\">\u00c0 propos des animateurs de l'atelier<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large is-resized is-style-circle-mask\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Jessie_Mills-Headshot-Credit_Sandrick_Mathurin-edited.jpg\" alt=\"Photography of Jessie Mill\" class=\"wp-image-8405\" width=\"250\" height=\"250\" srcset=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Jessie_Mills-Headshot-Credit_Sandrick_Mathurin-edited.jpg 2000w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Jessie_Mills-Headshot-Credit_Sandrick_Mathurin-edited-300x300.jpg 300w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Jessie_Mills-Headshot-Credit_Sandrick_Mathurin-edited-1024x1024.jpg 1024w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Jessie_Mills-Headshot-Credit_Sandrick_Mathurin-edited-150x150.jpg 150w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Jessie_Mills-Headshot-Credit_Sandrick_Mathurin-edited-768x768.jpg 768w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Jessie_Mills-Headshot-Credit_Sandrick_Mathurin-edited-1536x1536.jpg 1536w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Jessie_Mills-Headshot-Credit_Sandrick_Mathurin-edited-12x12.jpg 12w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Jessie_Mills-Headshot-Credit_Sandrick_Mathurin-edited-100x100.jpg 100w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption>Photo par Sandrick Mathurin<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"translation-block\">est dramaturge et conseill\u00e8re artistique \u00e0 la programmation du Festival TransAm\u00e9riques (FTA) depuis 2014. Elle y met notamment en place des dispositifs de rencontres et de transmission, dont les Cliniques dramaturgiques, consacr\u00e9es \u00e0 l\u2019accompagnement des artistes. De plus, elle accompagne des cr\u00e9ations sc\u00e9niques (Canada, France, Burkina Faso), r\u00e9alise plusieurs entretiens avec des artistes et enseigne \u00e0 l\u2019occasion. Membre du comit\u00e9 de r\u00e9daction de la revue\u00a0Libert\u00e9\u00a0et codirectrice de son cahier critique, elle \u00e9crit autour des spectacles et sur les enjeux des arts de la sc\u00e8ne. Entre 2010 et 2014, elle a occup\u00e9 le poste de conseill\u00e8re aux projets internationaux au Centre des auteurs dramatiques (CEAD), organisme avec lequel elle collabore toujours \u00e0 titre de conseill\u00e8re dramaturgique associ\u00e9e. Intervenante au Labo Elan des R\u00e9cr\u00e9\u00e2trales, espace panafricain d\u2019\u00e9criture, de cr\u00e9ation, de recherche et de diffusion th\u00e9\u00e2trales \u00e0 Ouagadougou, elle accompagne les artistes de la promotion 2019-2020.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large is-resized is-style-circle-mask\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Katalin_Trencse\u0301nyi-Headshot-Credit_Lilla_Khoo\u0301r-edited.jpg\" alt=\"Photography of Katalin Trencse\u0301nyi\" class=\"wp-image-8404\" width=\"250\" height=\"250\" srcset=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Katalin_Trencse\u0301nyi-Headshot-Credit_Lilla_Khoo\u0301r-edited.jpg 789w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Katalin_Trencse\u0301nyi-Headshot-Credit_Lilla_Khoo\u0301r-edited-300x300.jpg 300w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Katalin_Trencse\u0301nyi-Headshot-Credit_Lilla_Khoo\u0301r-edited-150x150.jpg 150w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Katalin_Trencse\u0301nyi-Headshot-Credit_Lilla_Khoo\u0301r-edited-768x766.jpg 768w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Katalin_Trencse\u0301nyi-Headshot-Credit_Lilla_Khoo\u0301r-edited-12x12.jpg 12w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Katalin_Trencse\u0301nyi-Headshot-Credit_Lilla_Khoo\u0301r-edited-100x100.jpg 100w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption>Photo par Lilla Khoo\u0301r<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"translation-block\"><strong>Katalin Trencs\u00e9nyi<\/strong> est dramaturge et chercheure d\u2019origine hongroise bas\u00e9e \u00e0 Londres. Parmi ses champs d\u2019int\u00e9r\u00eat se trouvent le th\u00e9\u00e2tre contemporain et la performance, en particulier la nouvelle dramaturgie, les processus collaboratifs, les femmes au th\u00e9\u00e2tre, et th\u00e9\u00e2tre et \u00e9pid\u00e9mie. Dramaturge ind\u00e9pendante depuis 2000, Katalin a travaill\u00e9 avec le National Theatre, le Royal Court Theatre, le Soho Theatre, Corali Dance Company et le Deafinitely Theatre, ainsi qu\u2019avec de nombreux artistes ind\u00e9pendants. En tant que praticienne, Katalin a travaill\u00e9 et enseign\u00e9 \u00e0 l\u2019international\u00a0: en Belgique, au Canada, en Hongrie, en Lituanie, en Pologne, en Roumanie, en Russie et aux \u00c9tats-Unis. Katalin a cofond\u00e9 le Dramaturgs\u2019 Network (d\u2019n) en 2001, a particip\u00e9 \u00e0 ses diff\u00e9rents comit\u00e9s et en a \u00e9t\u00e9 la pr\u00e9sidente de 2010 \u00e0 2012. Elle est l\u2019auteure de <em>Dramaturgy in the Making. A User\u2019s Guide for Theatre Practitioners<\/em> (Bloomsbury Methuen Drama, 2015), l\u2019\u00e9ditrice de <em>Bandoneon\u00a0: Working with Pina Bausch<\/em> (Oberon Books, 2016) et co\u00e9ditrice avec Bernadette Cochrane de <em>New Dramaturgy\u00a0: International Perspectives on Theory and Practice<\/em> (Bloomsbury Methuen Drama, 2014). Depuis 2018, Katalin travaille comme r\u00e9dactrice \u00e0 la section dramaturgique de la plateforme en ligne <a href=\"https:\/\/thetheatretimes.com\/\" target=\"_self\">TheTheatreTimes.com<\/a>.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h5 class=\"has-text-align-center wp-block-heading\">En collaboration avec<\/h5>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.cead.qc.ca\/cead\/mandate\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2019\/06\/1024px-Centre_des_auteurs_dramatiques-1024x511.png\" alt=\"\" class=\"wp-image-5883\" width=\"256\" height=\"128\" srcset=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2019\/06\/1024px-Centre_des_auteurs_dramatiques.png 1024w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2019\/06\/1024px-Centre_des_auteurs_dramatiques-300x150.png 300w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2019\/06\/1024px-Centre_des_auteurs_dramatiques-768x383.png 768w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" \/><\/a><\/figure><\/div>\n\n\n\n<h5 class=\"has-text-align-center wp-block-heading\">Cet atelier est soutenu financi\u00e8rement par<\/h5>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2018\/12\/Emploi-Que%CC%81bec-and-Compe%CC%81tence-Culture-Logos_web.png\" alt=\"Emploi-Qu\u00e9bec and Comp\u00e9tence Culture Logos\" class=\"wp-image-4053\"\/><\/figure><\/div>","protected":false},"excerpt":{"rendered":"<p>Join us for a week-long, bilingual workshop of exploring dynamic practices with Jessie Mill and Katalin Trencs\u00e9nyi! \u201cEvery archipelagic thought is a thought of trembling, of non-presumption, but also of openness and sharing.\u201d \u2014 Edouard Glissant, Treatise on the Whole-World Playwrights\u2019 Workshop Montr\u00e9al (PWM), in collaboration with the Centre des auteurs dramatiques (CEAD) is announcing &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.playwrights.ca\/fr\/2020\/12\/14\/archipelago-dramaturgies\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo; APPLY NOW: Archipelago Dramaturgies \u2014 a world in process &raquo;<\/span><\/a><\/p>","protected":false},"author":13,"featured_media":8408,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"ub_ctt_via":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10,19],"tags":[24,95,28,143],"class_list":["post-8391","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-calls","category-trainings","tag-dramaturgy","tag-exploring-practice","tag-intensive","tag-workshop"],"featured_image_src":"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/2020-Exploring-Practice-Intensive-Mill_Trencse\u0301nyi.png","author_info":{"display_name":"Marc Duez","author_link":"https:\/\/www.playwrights.ca\/fr\/author\/marc\/"},"jetpack_featured_media_url":"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/2020-Exploring-Practice-Intensive-Mill_Trencse\u0301nyi.png","yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>APPLY NOW: Archipelago Dramaturgies \u2014 a world in process - Playwrights&#039; 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