{"id":8419,"date":"2020-12-18T12:00:10","date_gmt":"2020-12-18T17:00:10","guid":{"rendered":"https:\/\/www.playwrights.ca\/2020\/12\/18\/writing-the-political-through-the-personal-copy\/"},"modified":"2020-12-18T17:51:00","modified_gmt":"2020-12-18T22:51:00","slug":"circus-writing-in-the-in-between","status":"publish","type":"post","link":"https:\/\/www.playwrights.ca\/fr\/2020\/12\/18\/circus-writing-in-the-in-between\/","title":{"rendered":"POSTULEZ MAINTENANT: CIRQUE \u2014 Une composition de l'entre-deux avec Andr\u00e9ane Leclerc"},"content":{"rendered":"<p><em>Note: <\/em><br><em>en raison de la pand\u00e9mie COVID-19, cet atelier se d\u00e9roulera en t\u00e9l\u00e9pr\u00e9sence. <\/em><br><em>Contactez <a href=\"mailto:harris@playwrights.ca\">harris@playwrights.ca<\/a> pour toutes questions sur l'atelier.<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Cet atelier bilingue dirig\u00e9 par artiste circassienne Andr\u00e9ane Leclerc s\u2019int\u00e9resse aux diff\u00e9rentes interpr\u00e9tations et \u00e9criture circassiennes au sein d\u2019un processus interdisciplinaire en arts vivants.<\/h3>\n\n\n\n<p>Trop souvent, le cirque est simplement gliss\u00e9 dans un contexte de repr\u00e9sentation, ins\u00e9r\u00e9 dans une cr\u00e9ation, ou juxtapos\u00e9 \u00e0 d\u2019autres disciplines. Ses multiples contraintes, entre autres techniques et la particularit\u00e9 de son langage, rendent souvent difficile l\u2019\u00e9criture sc\u00e9nique, le dialogue interdisciplinaire, et par extension, les processus de recherche et cr\u00e9ation. Ceci parce que la remise en question de la forme circassienne pour en faire une mati\u00e8re mall\u00e9able \u00e0 \u00e9criture sc\u00e9nique est fondamentalement p\u00e9rilleux car elle porte un risque r\u00e9el. Or, comment r\u00e9fl\u00e9chir le cirque comme mati\u00e8re au sein d\u2019un processus de cr\u00e9ation interdisciplinaire? Comment faire dialoguer le cirque avec les autres disciplines \u00e0 la cr\u00e9ation d\u2019un nouveau langage? Comment se sortir d\u2019une logique binaire entre deux disciplines et qu\u2019observons-nous \u00e0 l\u2019int\u00e9rieur de cette zone d\u2019entre-deux? Quelles sont les nouvelles possibilit\u00e9s dramaturgiques \u00e9mergentes?<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Calendrier :<\/h4>\n\n\n\n<p><em>(Atelier virtuel de 5 jours)\u2028<\/em><br><em><br><\/em>De 13h \u00e0 16h chaque jour <br>Du lundi 25 janvier au vendredi 29 janvier 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Lieu :<\/h4>\n\n\n\n<p>L'atelier se d\u00e9roulera \u00e0 distance via un logiciel de visioconf\u00e9rence.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p>Il s\u2019agit d\u2019un espace de r\u00e9flexion, d\u2019\u00e9changes, de dialogue et de cr\u00e9ation afin de cibler et de mieux comprendre les enjeux inh\u00e9rents au cirque pour ensuite ouvrir et \u00e9changer sur diff\u00e9rentes visions et interpr\u00e9tations possibles. Laboratoire cr\u00e9atif, il vise \u00e0 briser la hi\u00e9rarchie des langages sc\u00e9niques pour cr\u00e9er de nouvelles formes prenant naissance au c\u0153ur de toutes ces disciplines. Il s\u2019agit d\u2019une invitation \u00e0 d\u00e9velopper une pratique d\u2019\u00e9coute active, de dialogue sensible, et de plongeons au c\u0153ur de zones inconnues, soit dans cet espace \u00ab\u00a0entre\u00a0\u00bb et poreux qui relie.&nbsp;<\/p>\n\n\n\n<p class=\"translation-block\">Cette formation s\u2019adresse aux artistes cr\u00e9ateurs provenant de toutes les disciplines s\u2019int\u00e9ressant de pr\u00e8s ou de loin aux arts du cirque, aux processus de cr\u00e9ation interdisciplinaire et \u00e0 la dramaturgie contemporaine.<\/p>\n\n\n\n<p>Th\u00e8mes abord\u00e9s :<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Faire la diff\u00e9rence entre multi, inter disciplinaire;<\/li><li>Chercher la porosit\u00e9 disciplinaire;<\/li><li>Distinguer le v\u00e9cu du per\u00e7u et articuler sa vision circassienne;<\/li><li>Enjeux dramaturgiques circassiennes;<\/li><li>Dramaturgie contemporaine;<\/li><li>Composition sc\u00e9nique;<\/li><li>Langage commun.<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Comment postuler<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Veuillez nous envoyer une biographie et\/ou un CV artistique ainsi qu'un court texte (1-2 paragraphes) expliquant votre int\u00e9r\u00eat pour l\u2019atelier ainsi que sa pertinence vis-\u00e0-vis de votre pratique artistique.<\/li><li><span lang=\"en-CA\"><span lang=\"en-US\">Envoyez les candidatures et vos questions \u00e0<\/span><\/span>&nbsp;<a href=\"mailto:harris@playwrights.ca\">harris@playwrights.ca <\/a>avec pour objet : Exploration des pratiques avec Andr\u00e9ane Leclerc. \u2028<\/li><li>Vous pouvez envoyer votre candidature en anglais ou en fran\u00e7ais.<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Postulez avant midi le 8 janvier 2021 pour vous assurer que votre candidature sera prise en consid\u00e9ration.<\/strong><\/h4>\n\n\n\n<h3 class=\"wp-block-heading\">Plan de travail<\/h3>\n\n\n\n<p>Les sessions seront compos\u00e9es d\u2019abord de discussions et de partages en groupes, suivi d\u2019une s\u00e9ance de travail en duo ou individuel. Une heure d\u2019accompagnement personnalis\u00e9 au cours de la semaine sera possible pour chacun des groupes.&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Plan de cours<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Jour 1 : Introduction \u2013 Le cirque<\/h4>\n\n\n\n<p>C\u2019est quoi? \u00c7a veut dire quoi? Pourquoi?<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Jour 2\u00a0: Les disciplines circassiennes\u00a0et la relation \u00e0 l\u2019objet<\/h4>\n\n\n\n<p class=\"translation-block\">Une extension du corps? Une dualit\u00e9 binaire? Une dynamique ternaire?<br>\nO\u00f9 se pose le cirque? Faire la diff\u00e9rence entre l\u2019acrobatie, l\u2019acrobate et l\u2019agr\u00e8s.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Jour 3\u00a0: Le langage acrobatique<\/h4>\n\n\n\n<p class=\"translation-block\">Quel est son syst\u00e8me inh\u00e9rent? Que pouvons-nous cacher, r\u00e9v\u00e9ler? <br>\nO\u00f9 se pose la dramaturgie? Sa construction? Son devenir?<br>\nQuels sont les impacts techniques suivant les choix dramaturgiques?<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Jour 4\u00a0: Le devenir sc\u00e9nique, exploration de l\u2019espace-temps <em>becoming<\/em><\/h4>\n\n\n\n<p>Quelle est sa relation avec les autres disciplines?\n<br>Comment les faire dialoguer dans un devenir coh\u00e9rent?\n<br>Quels sont les lignes de fuite? Les dynamismes? Les compositions? Les rythmes?\n<br>Quelle est leur \u00e9volution spatio-temporelle?<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Jour 5\u00a0: Conclusion \u2013 la rencontre avec le public&nbsp;<\/h4>\n\n\n\n<p>&nbsp;Partage des projets et r\u00e9flexion sur le contexte de la diffusion.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u00c0 propos de la formatrice<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large is-resized is-style-circle-mask\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Andreane_Leclerc_headshot_-VSANGIN-edited.jpg\" alt=\"\" class=\"wp-image-8426\" width=\"250\" height=\"250\" srcset=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Andreane_Leclerc_headshot_-VSANGIN-edited.jpg 2400w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Andreane_Leclerc_headshot_-VSANGIN-edited-300x300.jpg 300w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Andreane_Leclerc_headshot_-VSANGIN-edited-1024x1024.jpg 1024w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Andreane_Leclerc_headshot_-VSANGIN-edited-150x150.jpg 150w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Andreane_Leclerc_headshot_-VSANGIN-edited-768x768.jpg 768w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Andreane_Leclerc_headshot_-VSANGIN-edited-1536x1536.jpg 1536w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Andreane_Leclerc_headshot_-VSANGIN-edited-2048x2048.jpg 2048w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Andreane_Leclerc_headshot_-VSANGIN-edited-12x12.jpg 12w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/Andreane_Leclerc_headshot_-VSANGIN-edited-100x100.jpg 100w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption>Photo par Val\u00e9rie Sanguin<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"translation-block\"><strong>Andr\u00e9ane Leclerc<\/strong> s\u2019int\u00e9resse \u00e0 la sc\u00e8ne performative, l\u2019interdisciplinarit\u00e9, la dramaturgie. Dans une d\u00e9marche qui d\u00e9construit le spectaculaire, elle cherche un corps-mati\u00e8re qui \u00e9volue dans la sensation plut\u00f4t que dans le sensationnalisme. Contorsionniste de formation (\u00c9cole nationale de cirque de Montr\u00e9al, 2001), elle obtient en 2013 une ma\u00eetrise sur la dramaturgie de la prouesse au d\u00e9partement de th\u00e9\u00e2tre de l\u2019UQAM. Elle fonde la compagnie Nad\u00e8re arts vivants, afin de poursuivre sa pratique de recherche sur le corps. En plus de cr\u00e9er des pi\u00e8ces conceptuelles (Di(x)parue ; InSuccube ; Bath House ; Cherepaka ; Mange-Moi ; La Putain de Babylone ; Sang Bleu), elle continue d\u2019interpr\u00e9ter pour divers projets internationaux. Andr\u00e9ane Leclerc d\u00e9veloppe une pratique p\u00e9dagogique autour du mouvement et de l\u2019amplitude de la colonne vert\u00e9brale inspir\u00e9e de l\u2019apprentissage de la technique de la contorsion et en juillet 2017, elle a particip\u00e9 \u00e0 la cr\u00e9ation de Cirque OFF, un manifeste vivant pour la biodiversit\u00e9 du cirque montr\u00e9alais au Studio 303.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h5 class=\"has-text-align-center wp-block-heading\">En collaboration avec<\/h5>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-medium\"><a href=\"https:\/\/enpiste.qc.ca\/en\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"67\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/en_piste-logo-300x67.png\" alt=\"\" class=\"wp-image-8432\" srcset=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/en_piste-logo-300x67.png 300w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/en_piste-logo-1024x230.png 1024w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/en_piste-logo-768x172.png 768w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/en_piste-logo-1536x345.png 1536w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/en_piste-logo-16x4.png 16w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/en_piste-logo.png 1614w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure><\/div>\n\n\n\n<h5 class=\"has-text-align-center wp-block-heading\">Cet atelier est soutenu financi\u00e8rement par<\/h5>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2018\/12\/Emploi-Que%CC%81bec-and-Compe%CC%81tence-Culture-Logos_web.png\" alt=\"Emploi-Qu\u00e9bec and Comp\u00e9tence Culture Logos\" class=\"wp-image-4053\"\/><\/figure><\/div>","protected":false},"excerpt":{"rendered":"<p>Note: due to the COVID-19 pandemic, this workshop will take place remotely. Contact harris@playwrights.ca for any questions about the workshop. This bilingual five-day workshop led by circus artist Andr\u00e9ane Leclerc will explore the process of creating and performing circus from an interdisciplinary perspective. Too often, circus acts are simply inserted into an existing work or &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.playwrights.ca\/fr\/2020\/12\/18\/circus-writing-in-the-in-between\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo; APPLY NOW: CIRCUS \u2014 Writing in the In-Between with Andr\u00e9ane Leclerc &raquo;<\/span><\/a><\/p>","protected":false},"author":13,"featured_media":8423,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"ub_ctt_via":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19],"tags":[175,26,95,143],"class_list":["post-8419","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-trainings","tag-andreane-leclerc","tag-circus","tag-exploring-practice","tag-workshop"],"featured_image_src":"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/2020-Exploring-Practice-Andrean_Leclerc-EN.png","author_info":{"display_name":"Marc Duez","author_link":"https:\/\/www.playwrights.ca\/fr\/author\/marc\/"},"jetpack_featured_media_url":"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/12\/2020-Exploring-Practice-Andrean_Leclerc-EN.png","yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>APPLY NOW: CIRCUS \u2014 Writing in the In-Between with Andr\u00e9ane Leclerc<\/title>\n<meta name=\"description\" content=\"This five-day workshop will dive into writing that mines personal experiences with the goal of generating content leading to the creation of a one-person show or a multi-character play.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.playwrights.ca\/fr\/2020\/12\/18\/circus-writing-in-the-in-between\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"APPLY NOW: CIRCUS \u2014 Writing in the In-Between with Andr\u00e9ane Leclerc\" \/>\n<meta property=\"og:description\" content=\"This five-day workshop will dive into writing that mines personal experiences with the goal of generating content leading to the creation of a one-person show or a multi-character play.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.playwrights.ca\/fr\/2020\/12\/18\/circus-writing-in-the-in-between\/\" \/>\n<meta property=\"og:site_name\" content=\"Playwrights&#039; 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