{"id":8809,"date":"2021-03-03T07:00:00","date_gmt":"2021-03-03T12:00:00","guid":{"rendered":"https:\/\/www.playwrights.ca\/?p=8809"},"modified":"2021-03-19T09:57:59","modified_gmt":"2021-03-19T13:57:59","slug":"behaviour","status":"publish","type":"post","link":"https:\/\/www.playwrights.ca\/fr\/2021\/03\/03\/behaviour\/","title":{"rendered":"Mise en lecture de Behaviour"},"content":{"rendered":"<h5 class=\"wp-block-heading\">\u00c0 venir les 20 et 21 mars prochains, assistez \u00e0 la mise en lecture de <em>Behaviour<\/em>, produite par Playwrights\u2019 Workshop Montr\u00e9al et pr\u00e9sent\u00e9e par le <a href=\"https:\/\/segalcentre.org\/fr\/home\"><strong>Centre Segal des arts de la sc\u00e8ne<\/strong><\/a>!<\/h5>\n\n\n\n<p>Une exploration des genres, du pouvoir, du travail et de leurs abus, <em>Behaviour<\/em>, \u00e9crit par <strong>Darrah Teitel<\/strong> et mis en sc\u00e8ne par <strong>Emma Tibaldo<\/strong>, sera lu sur place au Centre Segal <strong>les 20 et 21 mars<\/strong>, et diffus\u00e9e en direct sur internet.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Dates<\/strong><\/h4>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Samedi 20 mars 2021 \u00e0 17h.<br>Rediffusion \u00e0 20h.<\/p>\n\n\n\n<p>Dimanche 21 mars 2021 \u00e0 16h.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Lieu<\/strong><\/h4>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><a href=\"https:\/\/segalcentre.org\/fr\/shows\/2020-2021\/behaviour-fr\">Diffusion en direct via le site du Segal Centre.<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Billets<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background\" href=\"https:\/\/tickets.segalcentre.org\/TheatreManager\/1\/login&amp;event=1740&amp;lang=fr\" style=\"background-color:#2f0bc3\" target=\"_blank\" rel=\"https:\/\/tickets.segalcentre.org\/TheatreManager\/1\/login&amp;event=1740&amp;lang=en noopener\">GET TICKETS<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Tous les billets sont \u00e0 prix libre.<\/p>\n\n\n\n<p>Un don sera fait au <a href=\"http:\/\/www.nwsm.info\/\">Native Women&#8217;s Shelter of Montreal<\/a> et <a href=\"https:\/\/www.chezdoris.org\/\">Chez Doris<\/a> correspondant au montant collect\u00e9 via la vente de billets.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><em>\u00ab L'une des pi\u00e8ces en r\u00e9ponse au mouvement #MeToo les plus intelligentes \u00bb<\/em><\/h4>\n\n\n\n<p class=\"has-text-color\" style=\"color:#333333\">\u2013 Kelly Nestruck (The Globe and Mail)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em><em>\u00ab L'une des pi\u00e8ces actuelles les plus importantes, les plus puissantes, les plus traumatisantes et tout simplement essentielles. \u00bb<\/em><\/em><\/h4>\n\n\n\n<p class=\"has-text-color\" style=\"color:#333333\">&#8211; Ryan Pepper (Capital Critics Circle)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em>\u00ab Behaviour d\u00e9range et nous oblige \u00e0 nous remettre en question vis-\u00e0-vis des structures existantes. \u00bb<\/em><\/h4>\n\n\n\n<p class=\"has-text-color\" style=\"color:#333333\">\u2013 Patrick Langston (ArtsFile)<\/p>\n\n\n\n<p><em>Behaviour<\/em>&nbsp;est l\u2019histoire de Mara, une femme qui semble vivre son r\u00eave : elle a une carri\u00e8re en politique o\u00f9 elle fait la diff\u00e9rence, et elle est amoureuse d\u2019un artiste d\u00e9fiant les normes. Mais ce qui se cache derri\u00e8re cette fa\u00e7ade est d\u00e9vastateur. Avec humour, pr\u00e9cision et une honn\u00eatet\u00e9 implacable,&nbsp;<em>Behaviour<\/em>&nbsp;dissecte ce que nous consid\u00e9rons comme normal. La pi\u00e8ce remet en question notre acceptation des structures existantes, explorant les interactions entre pouvoir et abus.&nbsp;<em>Behaviour<\/em>&nbsp;refl\u00e8te le monde tel que nous le vivons, o\u00f9 d\u00e9noncer les abus sexuels est anormal.<\/p>\n\n\n\n<p>Cette pi\u00e8ce arrive \u00e0 un moment crucial du d\u00e9mant\u00e8lement des hi\u00e9rarchies au travail et entre les sexes. La pi\u00e8ce de Teitel se passe sur la Colline, o\u00f9 les travailleurs sont particuli\u00e8rement vuln\u00e9rables aux abus de pouvoir.&nbsp;<em>Behaviour<\/em>&nbsp;s'attaque \u00e0 la normalisation du silence contre les situations abusives, au point que Teitel dit : \u00ab ce qui est anormal, c'est d'en parler \u00bb. Cette lecture est donc une tentative de prononcer \u00e0 voix haute ce qui reste g\u00e9n\u00e9ralement non-dit.<\/p>\n\n\n\n<p>The play premiered at the Great Canadian Theatre Company, co-produced with SpiderWebShow. The script was developed in collaboration with Playwrights&#8217; Workshop Montr\u00e9al through a variety of programs, including the Gros Morne Playwrights\u2019 Residency.<\/p>\n\n\n\n<div class=\"wp-block-buttons aligncenter is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background\" href=\"https:\/\/tickets.segalcentre.org\/TheatreManager\/1\/login&amp;event=1740&amp;lang=fr\" style=\"background-color:#2f0bc3\" target=\"_blank\" rel=\"https:\/\/tickets.segalcentre.org\/TheatreManager\/1\/login&amp;event=1740&amp;lang=en noopener\">GET TICKETS<\/a><\/div>\n<\/div>\n\n\n\n<h3 class=\"has-text-align-left wp-block-heading\">\u00c0 propos de l'auteure<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-medium is-resized is-style-circle-mask\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Darrah_Teitel-edited-300x300.jpg\" alt=\"Headshot portrait of Darrah Teitel\" class=\"wp-image-8825\" width=\"250\" height=\"250\" srcset=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Darrah_Teitel-edited-300x300.jpg 300w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Darrah_Teitel-edited-1024x1024.jpg 1024w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Darrah_Teitel-edited-150x150.jpg 150w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Darrah_Teitel-edited-768x768.jpg 768w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Darrah_Teitel-edited-1536x1536.jpg 1536w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Darrah_Teitel-edited-12x12.jpg 12w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Darrah_Teitel-edited-100x100.jpg 100w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Darrah_Teitel-edited.jpg 1595w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>Darrah Teitel<\/strong> est une socialiste canadienne et une auteure dramatique, vivant actuellement \u00e0 Berkeley en Californie en tant qu'artiste en r\u00e9sidence 2020 de Peleh International. Ses cr\u00e9dits les plus r\u00e9cents comprennent <em>The Omnibus Bill <\/em>(Counterpoint Players, May 2019) <em>Behaviour<\/em> (GCTC, 2019) <em>Corpus&nbsp;<\/em>(Teesri Duniya 2014, Counterpoint 2014)&nbsp;<em>The Apology<\/em>&nbsp;(Alberta Theatre Projects 2013, Next Stage Festival 2011)&nbsp;<em>Marla\u2019s Party<\/em>&nbsp;(SummerWorks 2008) la pi\u00e8ce radiophonique CBC <em>Palliative<\/em> (2007)&nbsp;<em>She Said Destroy&nbsp;<\/em>(\u00c9cole nationale de th\u00e9\u00e2tre du Canada, 2007). Darrah \u00e9tait l'auteure dramatique en r\u00e9sidence du GCTC en 2015 et 2017, o\u00f9 elle a \u00e9crit ses deux derni\u00e8res pi\u00e8ces. Son journalisme, sa fiction et sa po\u00e9sie ont \u00e9t\u00e9 publi\u00e9s dans divers p\u00e9riodiques et revues \u00e0 travers le pays. Darrah est laur\u00e9ate de plusieurs prix, dont le Canadian Jewish Playwrighting Award 2011 et le Canadian Peace Play Prize 2007. Ses pi\u00e8ces ont re\u00e7u des nominations pour les prix Dora, Betty Mitchell, Rideau et META Prizes for Outstanding New Plays. Darrah travaille \u00e9galement pour Action Canada pour la sant\u00e9 et les droits sexuels et est un membre fondateur de la Coalition Courage ainsi qu'une fi\u00e8re membre des Independent Jewish Voices.&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"has-text-align-left wp-block-heading\">\u00c0 propos de la metteure en sc\u00e8ne et dramaturge<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large is-resized is-style-circle-mask\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Emma_Tibaldo-credit-Bernardo_Fernandez-edited.jpg\" alt=\"Headshot portrait of Emma Tibaldo\" class=\"wp-image-8826\" width=\"250\" height=\"250\" srcset=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Emma_Tibaldo-credit-Bernardo_Fernandez-edited.jpg 612w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Emma_Tibaldo-credit-Bernardo_Fernandez-edited-300x300.jpg 300w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Emma_Tibaldo-credit-Bernardo_Fernandez-edited-150x150.jpg 150w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Emma_Tibaldo-credit-Bernardo_Fernandez-edited-12x12.jpg 12w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Emma_Tibaldo-credit-Bernardo_Fernandez-edited-100x100.jpg 100w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption>Photo par Bernardo Fernandez<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>Emma<\/strong> <strong>Tibaldo<\/strong> est devenue directrice artistique et ex\u00e9cutive de Playwrights \u2019Workshop Montr\u00e9al d\u00e9but 2008. En 2020, elle a re\u00e7u le prix Elliott Hayes pour r\u00e9alisation exceptionnelle en dramaturgie. <\/p>\n\n\n\n<p>En plus de collaborer dramaturgiquement \u00e0 des pi\u00e8ces par le biais de son travail \u00e0 PWM, elle a mis en sc\u00e8ne de nouvelles pi\u00e8ces canadiennes \u00e0 travers le pays, telles que <em>Winter\u2019s Daughter<\/em> de Jesse Stong, <em>SCUM: A Manifesto<\/em> de S.E. Grummett et Caitlin Zacharias, <em>Okinum<\/em> d'Emilie Monnet (co-metteur en sc\u00e8ne), <em>Miss Katelyn\u2019s Grade Threes Prepare for the Inevitable<\/em> d'Elena Belyea, <em>The Baklawa Recipe<\/em> de Pascale Rafie, <em>Refuge<\/em> de Mary Vingoe, <em>Falling Trees<\/em> de Megan Coles, <em>Model Wanted<\/em> de Step Taylor. En 2005, elle a cofond\u00e9 le Th\u00e9\u00e2tre Talisman pour lequel elle a dirig\u00e9 la production prim\u00e9e <em>That Woman<\/em> de Daniel Danis, <em>Down Dangerous Passes Road<\/em> de Michel Marc Bouchard, et <em>The Medea Effect<\/em> de Suzie Bastien. Elle vient de terminer <em>Skin<\/em>, une nouvelle performance avec la compagnie interdisciplinaire The Bakery, diffus\u00e9e en direct lors du Centaur\u2019s Wildside Festival en janvier 2021. <\/p>\n\n\n\n<p>Elle va bient\u00f4t co-mettre en sc\u00e8ne une pi\u00e8ce radiophonique pour le th\u00e9\u00e2tre Imago, <em>Ringtone<\/em>d'Audrey Dwyer. <\/p>\n\n\n\n<p>Elle a \u00e9t\u00e9 artiste invit\u00e9e \u00e0 l'\u00c9cole nationale de th\u00e9\u00e2tre et \u00e0 l'Universit\u00e9 Concordia. Emma est dipl\u00f4m\u00e9e du d\u00e9partement de th\u00e9\u00e2tre de l\u2019Universit\u00e9 Concordia et du programme de mise en sc\u00e8ne de l\u2019\u00c9cole nationale de th\u00e9\u00e2tre du Canada. <\/p>\n\n\n\n<p>Elle fait vivre son punk-rockeur int\u00e9rieur (et ext\u00e9rieur) en jouant dans le groupe familial <em>The Tibaldos<\/em> et <em>The D\u00e9panneurds<\/em>.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"has-text-align-left wp-block-heading\">\u00c9quipe technique et artistique<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column popmake-8843 is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong>Amelia Sargisson<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image is-style-circle-mask\"><figure class=\"aligncenter size-thumbnail\"><img decoding=\"async\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Amelia_Sargisson-credit-Andre\u0301anne_Gauthier-scaled-e1614730805193-150x150.jpg\" alt=\"Headshot portrait of Amelia Sargisson\" class=\"wp-image-8827\"\/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Mara<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column popmake-8850 is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong>Victor Trelles<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image is-style-circle-mask\"><figure class=\"aligncenter size-thumbnail\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Victor_Andres_Trelles_Turgeon-credit-Annie_Ethier-e1614731369102-150x150.jpg\" alt=\"Headshot portrait of Victor Andres Trelles Turgeon\" class=\"wp-image-8823\"\/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Evan<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column popmake-8867 is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong>Erin Shields<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image is-style-circle-mask\"><figure class=\"aligncenter size-thumbnail\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Erin_Shields-e1614731329330-150x150.jpg\" alt=\"Headshot portrait of Erin Shields\" class=\"wp-image-8821\"\/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Jordan<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column popmake-8869 is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong>Felicia Shulman<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image is-style-circle-mask\"><figure class=\"aligncenter size-thumbnail\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Felicia_Shulman-150x150.jpg\" alt=\"Headshot portrait of Felicia Shulman\" class=\"wp-image-8828\" srcset=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Felicia_Shulman-150x150.jpg 150w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Felicia_Shulman-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Lydia | iTrance | Police<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column popmake-8871 is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong>Emily Soussana<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image is-style-circle-mask\"><figure class=\"aligncenter size-thumbnail\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Emily_Soussana-150x150.jpg\" alt=\"Headshot portrait of Emilie Soussana\" class=\"wp-image-8819\" srcset=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Emily_Soussana-150x150.jpg 150w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Emily_Soussana-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Conceptrice de production<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column popmake-8873 is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong>Luciana Burcheri<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image is-style-circle-mask\"><figure class=\"aligncenter size-thumbnail\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Burcheri_Luciana-150x150.jpg\" alt=\"Headshot portrait of Luciana Burcheri\" class=\"wp-image-8829\" srcset=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Burcheri_Luciana-150x150.jpg 150w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/headshot-Burcheri_Luciana-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">R\u00e9gisseuse<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column popmake-8219 is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong>potatoCakes_digital<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image is-style-circle-mask\"><figure class=\"aligncenter size-thumbnail\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/10\/Headshot2020_potatocakes_a-150x150.png\" alt=\"\" class=\"wp-image-8225\" srcset=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/10\/Headshot2020_potatocakes_a-150x150.png 150w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2020\/10\/Headshot2020_potatocakes_a-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Collectif de dramaturgie digitale<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons aligncenter is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background\" href=\"https:\/\/tickets.segalcentre.org\/TheatreManager\/1\/login&amp;event=1740&amp;lang=fr\" style=\"background-color:#2f0bc3\" target=\"_blank\" rel=\"https:\/\/tickets.segalcentre.org\/TheatreManager\/1\/login&amp;event=1740&amp;lang=en noopener\">GET TICKETS<\/a><\/div>\n<\/div>\n\n\n\n<h5 class=\"has-text-align-center wp-block-heading\">Pr\u00e9sent\u00e9 par<\/h5>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/segalcentre.org\/en\/\"><img decoding=\"async\" src=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/logo-Segal-Centre-edited.png\" alt=\"Logo for the Segal Centre for Performing Arts\" class=\"wp-image-8838\" width=\"300\" height=\"168.75\" srcset=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/logo-Segal-Centre-edited.png 600w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/logo-Segal-Centre-edited-300x169.png 300w, https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/logo-Segal-Centre-edited-16x9.png 16w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/figure><\/div>","protected":false},"excerpt":{"rendered":"<p>Coming up March 20th and 21st 2021, join us for the staged reading of Behaviour, produced by Playwrights&#8217; Workshop Montr\u00e9al and presented by the Segal Centre For Performing Arts! An exploration of gender, power, labour and abuse, Behaviour, written by Darrah Teitel and directed by Emma Tibaldo, will be read on-site at the Segal Centre &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.playwrights.ca\/fr\/2021\/03\/03\/behaviour\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo; Staged reading of Behaviour &raquo;<\/span><\/a><\/p>","protected":false},"author":13,"featured_media":8805,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"ub_ctt_via":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[20,9],"tags":[145],"class_list":["post-8809","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-on-stage","tag-public-reading"],"featured_image_src":"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/Behaviour-Page-1.png","author_info":{"display_name":"Marc Duez","author_link":"https:\/\/www.playwrights.ca\/fr\/author\/marc\/"},"jetpack_featured_media_url":"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/Behaviour-Page-1.png","yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Staged reading of Behaviour - Playwrights&#039; Workshop Montr\u00e9al<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.playwrights.ca\/fr\/2021\/03\/03\/behaviour\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staged reading of Behaviour - Playwrights&#039; Workshop Montr\u00e9al\" \/>\n<meta property=\"og:description\" content=\"Coming up March 20th and 21st 2021, join us for the staged reading of Behaviour, produced by Playwrights&#8217; Workshop Montr\u00e9al and presented by the Segal Centre For Performing Arts! An exploration of gender, power, labour and abuse, Behaviour, written by Darrah Teitel and directed by Emma Tibaldo, will be read on-site at the Segal Centre &hellip; Continuer la lecture de &laquo; Staged reading of Behaviour &raquo;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.playwrights.ca\/fr\/2021\/03\/03\/behaviour\/\" \/>\n<meta property=\"og:site_name\" content=\"Playwrights&#039; Workshop Montr\u00e9al\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/PlaywrightsWorkshopMontreal\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-03-03T12:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-03-19T13:57:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/Behaviour-Page-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<meta name=\"twitter:creator\" content=\"@PWMontreal\" \/>\n<meta name=\"twitter:site\" content=\"@PWMontreal\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.playwrights.ca\/fr\/#website\",\"url\":\"https:\/\/www.playwrights.ca\/fr\/\",\"name\":\"Playwrights&#039; Workshop Montr\\u00e9al\",\"description\":\"Nationally-mandated theatre development centre\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.playwrights.ca\/fr\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-CA\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.playwrights.ca\/2021\/03\/03\/behaviour\/#primaryimage\",\"inLanguage\":\"fr-CA\",\"url\":\"https:\/\/www.playwrights.ca\/wp-content\/uploads\/2021\/03\/Behaviour-Page-1.png\",\"width\":1920,\"height\":1080,\"caption\":\"Poster for the play Behaviour. A collage of photographs representing a woman is on the forefront of a pastel background on which we can discern a city skyline\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.playwrights.ca\/2021\/03\/03\/behaviour\/#webpage\",\"url\":\"https:\/\/www.playwrights.ca\/2021\/03\/03\/behaviour\/\",\"name\":\"Staged reading of Behaviour - Playwrights&#039; Workshop Montr\\u00e9al\",\"isPartOf\":{\"@id\":\"https:\/\/www.playwrights.ca\/fr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.playwrights.ca\/2021\/03\/03\/behaviour\/#primaryimage\"},\"datePublished\":\"2021-03-03T12:00:00+00:00\",\"dateModified\":\"2021-03-19T13:57:59+00:00\",\"author\":{\"@id\":\"https:\/\/www.playwrights.ca\/fr\/#\/schema\/person\/4107cbfbbab2dc649aaa71c6169a85bb\"},\"inLanguage\":\"fr-CA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.playwrights.ca\/2021\/03\/03\/behaviour\/\"]}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.playwrights.ca\/fr\/#\/schema\/person\/4107cbfbbab2dc649aaa71c6169a85bb\",\"name\":\"Marc Duez\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.playwrights.ca\/fr\/#personlogo\",\"inLanguage\":\"fr-CA\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/2319cbc5303fce2f10670e61408707a0f07b37fc9055aeace0c195ec75cfd279?s=96&d=mm&r=g\",\"caption\":\"Marc Duez\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/posts\/8809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/comments?post=8809"}],"version-history":[{"count":38,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/posts\/8809\/revisions"}],"predecessor-version":[{"id":8948,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/posts\/8809\/revisions\/8948"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/media\/8805"}],"wp:attachment":[{"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/media?parent=8809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/categories?post=8809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.playwrights.ca\/fr\/wp-json\/wp\/v2\/tags?post=8809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}