Apply Now: Writing and Devising For Puppetry With Clea Minaker

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Dates: November 5-8th, 2019 (4-day workshop)
Time: 10 AM – 3 PM Each day
Location: Maison internationale des arts de la marionnette: 30 Avenue Saint-Just, Outremont, QC
Fee: $60 (please contact us if this fee would be an obstacle to your participation)

Writing and Devising Puppetry: Interdisciplinary Approaches to Creation

Presented in collaboration with the Association Québécoise des marionnettistes (AQM)

This  four-day workshop is designed as a laboratory to explore and experiment with puppetry and the interdisciplinary creation methods it employs as unique form of scenic writing.

In puppetry, narratives unfurl as interrelated threads woven from; objects and materials, movement and presence, light, sound and/or text. As performers activate these elements: bringing them into relationship with each other, with time, and with space: a singular poetic language is formed.

This workshop asks the question, what does it mean to create and compose in a language that is both material and time based? What are visual dramaturgies? And, where do we begin when we wish to ‘write’ with images?

Throughout the workshop, participants will be invited to engage in puppetry and performance exercises, as well as to experiment with visual mediums and creative writing techniques, in the construction of performed visual narratives.

This workshop is not designed as an introduction to technical aspects of creating or manipulating puppets, but views the puppetry arts as a large family of theatrical forms wherein material and performer meet. The workshop invites participants of diverse backgrounds (performance, puppetry, design, writing, stage technique, visual arts etc…) to gain greater perspective on the unique storytelling opportunities that puppetry presents.

In addition to structured improvisations, individual and group exercises, participants will be given (some) opportunities to explore projects of personal interest within the context of the workshop.

Note: This workshop will take place primarily in English, but many of the exercises and discussions will be led in English and French in order to best accommodate all participants.

How to Apply:

Please send your CV and/or bio as well as a brief paragraph explaining why you are interested in this workshop, and your experience with puppetry, and/or interdisciplinary approaches to creation to harris@playwrights.ca using the subject line: Exploring Practice with Clea Minaker.  The deadline to apply is Thursday October 3rd, 2019 before 1pm

Biography of Clea Minaker

Clea Minaker is a puppeteer, designer, director, and interdisciplinary creator who graduated from the sixth promotion (2002-2005) at L’École Nationale Supérieure des Arts de la Marionnette in Charleville‐Mézières, France. Through her personal creations, Clea has explored an interest for shadow, light, live video projections, as well as the poetics of manipulation and corporeal gesture.

She has collaborated across artistic disciplines: in theatre, live music, opera, dance, film, and visual arts, including collaborations with Feist (The Reminder Tour 2007/2008), Atom Egoyan, So-called, Kid Koala. She has created works for: the National Arts Centre Orchestra, Convergence: an International Summit on Art and Technology at the Banff Centre, IF! Istanbul, The Museum of Contemporary Art San Diego, and Festival Casteliers. Clea premiered her first full-length solo performance The Book of Thel, at Théâtre Lachapelle, Scènes Contemporains in 2013.

Clea has taught puppetry, shadow puppetry, and interdisciplinary creation at; U.Q.A.M ‘d.e.s.s marionette contemporain’, Concordia University, National Theatre School of Canada, Playwright’s Workshop Montreal, U.B.C.O, Mcgill University. She is currently co-director of the Banff Centre Puppet Intensive offered by The Old Trout Puppet Workshop.

In 2009 Clea was awarded the Siminovitch Protégé Prize for Theatre Design by prize Laureate and puppeteer Ronnie Burkett.

This workshop is presented in collaboration with:

Association québécoise des marionnettistes

Our exploring practice series is supported by:

Emploi-Québec and Compétence Culture Logos

Apply Now: Theatre Translation Workshop with Frank Heibert

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Dates: September 23, 24 & 25 (3-day workshop)
Time: 9:30 AM – 5 PM (Including a lunch break) 
Location: PWM, 7250 Clark #103, Montréal, QC. 
Fee: $90

Presented in collaboration with Le Centre des auteurs dramatiques (CEAD), this 3-day workshop is led by prolific German theatre translator Frank Heibert. The workshop, which will include group discussions, theoretical lectures and translation exercises built around specific case studies, is aimed at emerging to mid-career theatre translators.

Guiding questions will include:

  • How do you find your characters’ voices?
  • What are similarities and differences between translation and adaptation?
  • In cases where a translation is commissioned for a specific production, should the translator’s vision take priority over the director’s vision?

The practice of working off of a word-for-word translation in collaboration with a translator fluent in the source language will also be discussed.

Participants are encouraged to bring in a translation project in progress. However, translators not currently working on a project are also encouraged to apply. The target language of these projects can be French or English, and the source language should ideally be one of the following languages: German, English, Spanish, French, Italian or Portuguese. Participants’ projects will be discussed in detail and will help to determine the topics of the workshop.

The workshop will be led in English and French, depending on the needs and fluency of the participants.

Application guidelines:

  • Send applications to harris@playwrights.ca with the subject line Exploring Practice with Frank Heibert.
  • Please attach the following three documents:
    • The translation project that you plan on discussing during the workshop: please attach roughly 10 pages of both your translation and the original script as well as a brief synopsis of the piece. (Excerpts of the translation are not mandatory, but applications containing excerpts will be prioritized.)
    • A letter of intention (1 page maximum).
    • An up-to-date CV.
  • Application deadline: 11 AM on June 28, 2019

About the Instructor:

Frank Heibert lives in Berlin and has studied literature in Germany, Italy, and France. Since 1983, he has worked as a translator of literature from English, French, Italian and Portuguese into German. From 1990-1995, he was the co-publisher of his own small publishing house Zebra Literaturverlag. He has also worked as an editor, a speaker,  a critic and a professor at Free University of Berlin. He is a member of PEN International, the worldwide writers’ association and is the winner of numerous literary awards for writing and translation.

He has translated over 95 novels and story collections by, among many others, Don DeLillo, Richard Ford, William Faulkner, Boris Vian, Alfred Jarry, Marie Darrieussecq, Yasmina Reza, and Raymond Queneau. He has also translated roughly 110 plays, by playwrights such as Tony Kushner, Neil LaBute, Nicky Silver, George F. Walker, Jonathan Garfinkel, Terrence McNally, Martin Crimp, Yasmina Reza, Italo Svevo, and Lina Wertmüller as well as Quebec playwrights Michel Marc Bouchard, Suzanne Lebeau, and Olivier Kemeid.

 

PRESENTED IN COLLABORATION WITH:

CEAD LOGO

THIS PROFESSIONAL DEVELOPMENT ACTIVITY IS MADE POSSIBLE BY:

Emploi-Québec and Compétence Culture Logos

 

REGISTER NOW: Grant Writing Workshop for Emerging Artists

Exploring Practice with Jesse Stong

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Dates: April 16, 17, 18 2019 (3-day workshop)
Time: 6 PM-10 PM (Group sessions end at 9 PM, with optional additional consultation until 10 PM)
Location: PWM
Fee: $45 (Please contact us if this fee would be a barrier to your participation)

Using innovative and interactive activities, Jesse Stong (Art Educator/Playwright) will support emerging artists to develop a strong application for their own future project grants. From seeding and exploring initial ideas to developing dynamic writing samples, and participating in group brainstorms to elaborate and articulate project outlines with realistic timelines and budgets. By the end of this hands-on sessions each participant will leave with their own completed first draft of a grant proposal, as well as many tips on finding a diversification of funding, independent fundraising strategies, and guidance on building partnerships for the future life of their proposed project.

Application guideline
  • Send a paragraph describing your interest in the workshop.
  • Please attach a bio and/or CV.
  • Send applications to jesse@playwrights.ca and harris@playwrights.ca
    with subject line: Exploring Practice with Jesse Stong
  • Application deadline:  1 PM on April 4, 2019
Topics Covered

a) General Grant Writing Tips/Cautions
b) Stress and Time Management/Infusing GRANT WRITING into your artistic practice
c) Hands-On Project Proposal Building (developing treatment, describing project)
d) Creative Activities (exploring innovative grant writing processes)
e) Expressing authentic NEED and attracting SUPPORT
f) Group Brainstorm Sessions (exploring ideas, developing proposals further in the workshop)
g) Editing and Increasing Impact (How to sharpen your grant)
h) Action planning/specific measurable steps towards grant submission
i) Ongoing Discussions/Group Sharing of Resources/Sources of Funding

Expectations
  • Participants should come to the workshop with a project/residency idea they are genuinely interested in developing a grant proposal for (the idea can be fully developed or a seed of a new project)
  • Participants should be expected to engage with the hands-on process.
  • Participants will support the ideas of others/contribute to the group discussions.
  • Participants will leave with a clear plan to continue to process forward
About the Instructor

Jesse Stong is curently completing his fourth year designing and leading PWM’s Young Creators Unit. Jesse is a graduate of Playwriting from the National Theatre School of Canada and is completing his Masters in Art Education at Concordia University. He was recently assistant curator for the National Art’s Centre Disability Summit, and in 2016 received the Michaëlle Jean Foundation award for his innovative writing/puppetry workshops for schools and youth groups. Jesse is a proud member of the board of directors at Les Muses: Centre for dance and performance training, for people living with intellectual differences, as well as a writing facilitator for the Quebec Writers Federation.

 

TRAINING MADE POSSIBLE BY

Emploi-Québec and Compétence Culture Logos