Apply Now: Interdisciplinary Dramaturgy Lab

Illustration for the Interdisciplinary Dramaturgy Lab workshop 2021

Note:
due to the COVID-19 pandemic, this workshop will take place remotely.
Contact harris@playwrights.ca for any questions about the workshop.

PWM and Studio 303 invite dramaturgs, theatre artists, dancers, circus artists and interdisciplinary artists to the third edition of the Interdisciplinary Dramaturgy Lab. Led by Kathy Casey (dance), Dana Dugan (circus) and Fatma Sarah Elkashef (theatre), the lab is a space for artists to exchange dramaturgical tools, share challenges and experiences, and explore how we are working in these exceptional times.


Schedule:

(5-day virtual workshop)
9:30 AM to 12:30 PM EST every day
Monday, January 11 to Friday, January 15, 2021.

Location:

The workshop will take place remotely via video-conferencing software.

Fee:

$60 
(Please contact us if this fee would be a barrier to your participation)


Application Instructions

  • Please send us a bio and/or artistic CV as well as a brief (1-2 paragraph) statement explaining why this lab interests you, how it is relevant to your artistic practice, and what your expectations are for this lab.
  • Send your application and any questions to:  harris@playwrights.ca using the subject line: Interdisciplinary Dramaturgy Lab
  • Apply before  11:59 PM on December 18, 2020 to ensure that your application will be considered.

About the Workshop Leaders

Photo by George Dutil

Born in North Carolina, Kathy Casey began her dance career in 1979 with the Chicago Moving Company. Settled in New York in 1980, she danced for many choreographers before joining the Lar Lubovitch Dance Company in 1984. In 1989, she became a member of Susan Marshall & Company, with whom she had collaborated since 1981. From 1985-1989, she also assisted Mr. Lubovitch and Ms. Marshall in creation. Kathy Casey has danced in Europe, Asia, and North America and continues to give numerous workshops across Canada and the United States. Welcomed by Montréal Danse in 1991, she was appointed Artistic Director of the company in March 1996. A major portion of her work now is collaborating with choreographers on the dramaturgy of the works created for the company. In addition to her work with Montréal Danse, she also works as an artistic advisor with independent choreographers in the city.

Photo by Dominic Brunet

Dana Dugan is an American circus artist, performer, pedagogue, and scholar based in Montreal. She was a founding member, programmer, project manager, and producer of the Chicago Contemporary Circus Festival and CirqueOFF. Dana recently completed her Master’s Degree at Concordia University under fellowship researching the circus body and its embodied knowledge. She is currently continuing her research explorations and performance of the circus body and speculative performance narratives as a PhD student at Concordia University. Dana’s work reflects an agenda that advocates for socially conscious performances and alternative, queer, feminist, political narratives that cultivate agency on the circus stage.

Photo by Nasuna Dawn

Born in the UK, Fatma Sarah Elkashef is a dramaturg based in Tiohtià:ke (Montreal) working in new play development and interdisciplinary creation.  Since 2013 she has been a dramaturg at Playwrights’ Workshop Montréal (PWM) where she has collaborated on numerous plays and performances. Sarah began the Interdisciplinary Writers’ Lab at PWM to explore non-text centric approaches to theatre/performance creation and is deeply inspired by the brilliant theatre, dance, circus, performance and visual artists who have been a part of it thus far. At the National Theatre School of Canada she has worked across programs as a dramaturg, creator, and teacher since 2012. Sarah’s preoccupations are rooted in her hybrid identity and practise, and she is excited by the possible futures for collaboration and process sharing across performance disciplines.

WITH THE collaboration of
Studio 303 Logo
This workshop is financially supported by
Emploi-Québec and Compétence Culture Logos

APPLY NOW: Writing the political through the personal with Carmen Aguirre

Note:
due to the COVID-19 pandemic, this workshop will take place remotely.
Contact harris@playwrights.ca for any questions about the workshop.

This five-day workshop led by theatre artist and author Carmen Aguirre is focused on writing that taps into personal experiences, with the goal of generating content leading to the creation of a one-person show or a multi-character play.

Using an exercise from Augusto Boal’s Theatre of the Oppressed canon to kickstart the writing process, the group will explore personal stories that are intentionally set within a larger social, political, and historical context. 

The workshop will tackle the challenge of writing works which are meant to speak to universal experience as opposed to a writing process meant only for personal catharsis. Participants will also begin to learn how to wrap the personal and the political around each other effectively. The workshop will address questions such as: how do I write about personal experience without being self-indulgent? Why would anybody care about my personal story? How do I enter into a dialogue with the audience through my personal story, as opposed to using a personal story to enter into a dialogue with myself? How do I write about political issues that are important to me through personal story?


Schedule:

(5-day virtual workshop)

1PM to 4PM EST every day
Monday, December 14 to Friday, December 18, 2020.

Location:

The workshop will take place remotely via video-conferencing software.


Application Instructions

  • Please attach a bio and/or CV as well as a brief paragraph detailing your interest in the workshop.
  • Send applications to harris@playwrights.ca with subject line: Exploring Practice with Carmen Aguirre.
  • Apply before  1 PM on November 26, 2020 to ensure that your application will be considered.
  • Please note that the number of spots are very limited.

About the instructor

Carmen Aguirre is a Chilean-Canadian, award-winning theatre artist and author who has written and co-written over twenty-five plays, including Chile Con Carne, The Refugee Hotel, The Trigger, Blue Box, Broken Tailbone, and Anywhere But Here, as well as the #1 international bestseller Something Fierce: Memoirs of a Revolutionary Daughter (winner of CBC Canada Reads 2012), and its bestselling sequel, Mexican Hooker #1 and My Other Roles Since the Revolution.

She is currently writing an adaptation of Euripides’ Medea for Vancouver’s Rumble Theatre, Moliere’s The Learned Ladies for Toronto’s Factory Theatre, a short digital piece for Ontario’s Stratford Festival entitled Floating Life, and an untitled play on the life of famed twentieth century Italian photographer and revolutionary Tina Modotti for Vancouver’s Electric Company Theatre. Reframed, an outdoor performance piece about online discourse, conceived and co-created with The Electric Company, received its world premiere on October 7th, 2020, in Vancouver, commissioned by Ottawa’s National Arts Centre for its Grand Acts of Theatre initiative.

Carmen is a Core Artist at Electric Company Theatre, a co-founding member of the Canadian Latinx Theatre Artist Coalition (CALTAC), and has over eighty film, TV, and stage acting credits, including her award-winning lead role in the Canadian premiere of Stephen Adley Guirgis’ The Motherfucker with the Hat, and her Leo-nominated lead performance in the independent feature film Bella Ciao!. She looks forward to starring in Cecilia Araneda’s stunning debut feature film, Intersection, to be shot in Winnipeg in Spring 2021. Carmen is presently on the 2020 Siminovitch Prize shortlist, the most prestigious theatre award in Canada. She is a graduate of Studio 58.

carmenaguirre.ca

WITH THE collaboration of
Imago Theatre logo
This workshop is financially supported by
Emploi-Québec and Compétence Culture Logos

APPLY NOW: Re:Shaping Borders with Naïma Kristel Phillips

A devised creation workshop

Dates: February 29th & March 1st, 2020 (2-day workshops)
Time: 10 AM – 5 PM Both days
Location:  PWM (7250 Clark, Suite 103)
Fee: $42 (please contact us if this fee would be an obstacle to your participation)

What borders do you encounter, challenge, confront, travel through or around in your artistic practice? Are these concrete, imagined, welcome or imposed?

These questions will serve as the basis for the latest workshop in our Exploring Practice Series. Led by Naïma Kristel Phillips, Re:Shaping Borders invites participants to take part in a devised creation process built around the theme of borders.

Devised theatre, also known as collective creation, is a theatre-making practice in which an ensemble of performers (often actors or dancers) ”write” a piece collaboratively. This workshop is designed to give artists a hands-on introduction to this way of working. The group will be made up of roughly 8 artists with a variety of artistic backgrounds and experiences.

Application Instructions: To apply, please send us your artistic CV/bio and a brief (1-2 paragraph) statement explaining why this workshop interests you, how it is relevant to your artistic practice and what your expectations are for this workshop.

Please send your application and any questions to:  harris@playwrights.ca using the subject line: Exploring Practice with Naima Kristel Phillips


Application deadline:  February 5, 2020 at 11:59 PM

About the Workshop Leader:

Naïma Kristel Phillips is a playwright, librettist, and stage director committed to finding innovative ways to portray human existence. Her interdisciplinary works have been presented across Canada, France, and the United States. As a performer, Naïma practised extended vocal techniques and choreographic theatre at the Roy Hart International Centre and Pantheatre with co-founders and directors Enrique Pardo, Linda Wise, and Elizabeth Mayer. Her interdisciplinary approach is also inspired by studies with playwright Charles L. Mee and director Anne Bogart as well as mentorship from choreographer Sidi Larbi Cherkaoui. 

Naïma is currently writing the libretto for an opera with composer Margareta Jeric. She is also directing and co-creating High Z, an immersive performance exploring the 2011 Nobel Prize-winning discovery of the accelerating universe. As a concept writer, she collaborated with scenographer Julie Vallée-Léger and GSM Project on the critically-acclaimed “Life of Sally Hemings” exhibit at Monticello. 

Her playwriting credits include Le bon gars d’à côté (Festival Jamais Lu) Suite d’une ville morte (Tapestry Opera and Canadian Opera Company) Birthday Triage (Horace Mann Theater), My Artichoke Heart (Dream Up Festival), and Night Spell (Nextfest). A recipient of the Mécénat Musica Prix 3 Femmes, the Gloria Mitchell-Aleong Award, and the Shubert Presidential Fellowship, Naïma was in the 2014-2016 Interdisciplinary Unit at Playwrights’ Workshop Montréal. She holds an MFA in Playwriting from Columbia University.

This workshop is financially supported by

Emploi-Québec and Compétence Culture Logos

Apply Now: Interdisciplinary Dramaturgy Lab

Dates: January 27th-31st, 2020 (5-days)
Time: 9:30 AM – 12:30 PM Each day
Location:  Studio 303, 372 Saint-Catherine St W, Montreal, Quebec H3B 1A2
Fee: $60 (please contact us if this fee would be an obstacle to your participation)

PWM and Studio 303 invite dramaturges, theatre artists, dancers, circus performers and interdisciplinary artists the second edition of the Interdisciplinary Dramaturgy Lab. Led by Kathy Casey (dance), Dana Dugan (circus) and Fatma Sarah Elkashef (theatre), the lab is a space for artists working across various disciplines to exchange their dramaturgical tools, challenges and experiences.

Application Instructions: To apply, please send us your artistic CV/bio and a brief (1-2 paragraph) statement explaining why this training interests you, how it is relevant to your artistic practice and what your expectations are for this lab.

Please send your application and any questions to:  harris@playwrights.ca using the subject line: Interdisciplinary Dramaturgy Lab
Application deadline: January 5, 2020

About the Workshop Leaders:

Born in North Carolina, Kathy Casey began her dance career in 1979 with the Chicago Moving Company. Settled in New York in 1980, she danced for many choreographers before joining the Lar Lubovitch Dance Company in 1984. In 1989, she became a member of Susan Marshall & Company, with whom she had collaborated since 1981. From 1985-1989, she also assisted Mr. Lubovitch and Ms. Marshall in creation. Kathy Casey has danced in Europe, Asia, and North America and continues to give numerous workshops across Canada and the United States. Welcomed by Montréal Danse in 1991, she was appointed Artistic Director of the company in March 1996. A major portion of her work now is collaborating with choreographers on the dramaturgy of the works created for the company. In addition to her work with Montréal Danse, she also works as an artistic advisor with independent choreographers in the city.

Dana Dugan is an American circus artist, performer, pedagogue, and scholar based in Montreal. She was a founding member, programmer, project manager, and producer of the Chicago Contemporary Circus Festival and CirqueOFF. Dana recently completed her Master’s Degree at Concordia University under fellowship researching the circus body and its embodied knowledge. She is currently continuing her research explorations and performance of the circus body and speculative performance narratives as a PhD student at Concordia University. Dana’s work reflects an agenda that advocates for socially conscious performances and alternative, queer, feminist, political narratives that cultivate agency on the circus stage.

Fatma Sarah Elkashef is a theatre artist, primarily a dramaturg, working in new play development and interdisciplinary creation. At Playwrights’ Workshop Montréal she leads the Interdisciplinary Writer’s Lab in addition to various other projects. At the National Theatre School of Canada she often works across programs as a dramaturg, creator, and teacher and in 2016 received their Bernard Amyot Award for Teaching. Sarah recently co-created a circus show for families Eat Sweet Feet, and continues to work on High Z, an immersive performance installation for planetariums based on the 2011 Nobel prize winning discovery of the accelerating expansion of the universe. Prior to settling in Canada she was the Senior Reader at Soho Theatre in London, U.K. Sarah has also been an associate producer, company manager, literary associate and more in New York City. She is a graduate of Warwick University in English Literature and Theatre (U.K.), has an M.A. in Theatre from Hunter College (CUNY, NYC), and a Graduate Diploma in Communications from Concordia University (Montreal, Canada).

Presented in collaboration with

Studio 303 Logo

This workshop is financially supported by

Emploi-Québec and Compétence Culture Logos
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