Apply Now: Interdisciplinary Dramaturgy Lab

Illustration for the Interdisciplinary Dramaturgy Lab workshop 2021

Note:
due to the COVID-19 pandemic, this workshop will take place remotely.
Contact harris@playwrights.ca for any questions about the workshop.

PWM and Studio 303 invite dramaturgs, theatre artists, dancers, circus artists and interdisciplinary artists to the third edition of the Interdisciplinary Dramaturgy Lab. Led by Kathy Casey (dance), Dana Dugan (circus) and Fatma Sarah Elkashef (theatre), the lab is a space for artists to exchange dramaturgical tools, share challenges and experiences, and explore how we are working in these exceptional times.


Schedule:

(5-day virtual workshop)
9:30 AM to 12:30 PM EST every day
Monday, January 11 to Friday, January 15, 2021.

Location:

The workshop will take place remotely via video-conferencing software.

Fee:

$60 
(Please contact us if this fee would be a barrier to your participation)


Application Instructions

  • Please send us a bio and/or artistic CV as well as a brief (1-2 paragraph) statement explaining why this lab interests you, how it is relevant to your artistic practice, and what your expectations are for this lab.
  • Send your application and any questions to:  harris@playwrights.ca using the subject line: Interdisciplinary Dramaturgy Lab
  • Apply before  11:59 PM on December 18, 2020 to ensure that your application will be considered.

About the Workshop Leaders

Photo by George Dutil

Born in North Carolina, Kathy Casey began her dance career in 1979 with the Chicago Moving Company. Settled in New York in 1980, she danced for many choreographers before joining the Lar Lubovitch Dance Company in 1984. In 1989, she became a member of Susan Marshall & Company, with whom she had collaborated since 1981. From 1985-1989, she also assisted Mr. Lubovitch and Ms. Marshall in creation. Kathy Casey has danced in Europe, Asia, and North America and continues to give numerous workshops across Canada and the United States. Welcomed by Montréal Danse in 1991, she was appointed Artistic Director of the company in March 1996. A major portion of her work now is collaborating with choreographers on the dramaturgy of the works created for the company. In addition to her work with Montréal Danse, she also works as an artistic advisor with independent choreographers in the city.

Photo by Dominic Brunet

Dana Dugan is an American circus artist, performer, pedagogue, and scholar based in Montreal. She was a founding member, programmer, project manager, and producer of the Chicago Contemporary Circus Festival and CirqueOFF. Dana recently completed her Master’s Degree at Concordia University under fellowship researching the circus body and its embodied knowledge. She is currently continuing her research explorations and performance of the circus body and speculative performance narratives as a PhD student at Concordia University. Dana’s work reflects an agenda that advocates for socially conscious performances and alternative, queer, feminist, political narratives that cultivate agency on the circus stage.

Photo by Nasuna Dawn

Born in the UK, Fatma Sarah Elkashef is a dramaturg based in Tiohtià:ke (Montreal) working in new play development and interdisciplinary creation.  Since 2013 she has been a dramaturg at Playwrights’ Workshop Montréal (PWM) where she has collaborated on numerous plays and performances. Sarah began the Interdisciplinary Writers’ Lab at PWM to explore non-text centric approaches to theatre/performance creation and is deeply inspired by the brilliant theatre, dance, circus, performance and visual artists who have been a part of it thus far. At the National Theatre School of Canada she has worked across programs as a dramaturg, creator, and teacher since 2012. Sarah’s preoccupations are rooted in her hybrid identity and practise, and she is excited by the possible futures for collaboration and process sharing across performance disciplines.

WITH THE collaboration of
Studio 303 Logo
This workshop is financially supported by
Emploi-Québec and Compétence Culture Logos

Announcing the Participants: Interdisciplinary Writers’ Lab

Playwrights’ Workshop Montréal is pleased to welcome a new group of artists to the Interdisciplinary Writers’ Lab.

Curated and led by dramaturg Sarah Elkashef, the Interdisciplinary Writers’ Lab is an opportunity for artists with diverse practices to share processes of creation and development. Aimed at fostering conversation and collaboration across disciplines, the Lab meets every six weeks to share work and feedback. In addition, one-on-one dramaturgy, exploratory workshops and residencies are integrated as the individual projects evolve over a sustained period of time. Disciplines have included visual arts, circus, performance art, theatre, puppetry, dance, playwriting, animation and astrophysics. 

Find more information about the participants below.


THE PARTICIPANTS

Claudel Doucet

Claudel Doucet Headshot

Claudel is an artist whose career was fostered in the culture of contemporary circus. She researches risk in bodies and presences to weaken facades and explores the forces that stretch, between violence and tenderness. She looks at the ineffable, the delicate and the vertigo which in turn unites us or confines us to solitude. Co-created with Cooper Lee Smith and Félix-Antoine Boutin, her latest project “Se prendre” is an apartment performance that blurs vertigoes, voluptuousness and bitterness. She collaborates as a director at the National Circus School of Montreal and in various projects including Zip Zap Academy (Cape Town) and Uniarts (Stockholm). In 2017, she created QUE NOUS SOYONS, a collaborative in situ project co-produced by the 7 Fingers and LA SERRE – arts vivants. A graduate of ENC (Montreal, 2004), she is the co-founder of the Cie du Poivre Rose (Brussels).

Burcu Emeç

Burcu is a performance maker and live artist. Her approach is discovery-based and sensorial, frequently playing with collage and searching for transdisciplinarity. Her work interacts with fields of social commentary, movement, theatre, installation and active listening, and often uses an image, object or memory as a departure point for creation. Burcu’s collaborative and independent works have been presented in Montreal, Toronto and Germany; at OFFTA, SummerWorks, MAI, Eastern Bloc, Never Apart, Studio 303 and ZH Festival. Recent accolades include the Grolsch Hybridity Award, MainLine Creativity Award, Frankie’s Best English Production nomination, and 5 META nominations. Burcu is also a coordinator at the artist-run centre Articule.

Soleil Launière

Pekuakamiulnuatsh originaire de Mashteuiatsh sur les rives du lac pekuakami, Soleil Launière vit et œuvre à Tiöhtià:ke (Montréal). Artiste multidisciplinaire alliant le chant, le mouvement et le théâtre tout en passant par l’art performance. Elle entremêle la présence du corps bi-spirituel et l’audiovisuel expérimental tout en s’inspirant de la cosmogonie et l’esprit sacré des animaux du monde Innu. Elle exprime en actes une pensée sur les silences et les langages universelle.

Clea Minaker

Clea is a performer, director, designer and interdisciplinary artist who trained at the International Institute of Puppetry Arts in Charleville-Mézières, France (2002-2005). Clea explores an interest for shadow, light, live projections, object creation, as well as the poetics of manipulation, and corporeal gesture. She works in theatre, live music, opera, dance, film, visual art, and community arts. She has created works for the N.A.C Orchestra, The Banff Centre, IF! Istanbul, Festival Casteliers; and collaborated with Feist, Atom Egoyan, So-called, Kid Koala and more. Clea was awarded the 2009 Siminovitch Protégé Prize for Theatre Design by prize laureate and puppeteer Ronnie Burkett.

Helen Simard

Helen Simard is a Montréal-based choreographer, rehearsal director, and dance researcher. After working with Solid State Breakdance for 12 years, an artist collective that combined street and contemporary dance, she switched gears in 2012 to lead her own artistic projects. Her current choreographic research explores the codes and aesthetics of rock music, creating lively, interactive, performances that challenge the conventions of stage dance forms: her most recent work, REQUIEM POP, premiered at Agora de la danse in April 2019. She is currently writing her first play When your baby dies. Helen holds a BFA (2000) and MA (2014) in contemporary dance.


The Lab is led by Fatma Sarah Elkashef

Sarah Elkashef

Sarah is a theatre artist, primarily a dramaturg, working in new play development and interdisciplinary creation. At PWM, she leads the Interdisciplinary Writers’ Lab in addition to collaborating on plays in development. Sarah also works at the National Theatre School of Canada as a dramaturg and teacher. Sarah recently co-created a circus show for families Eat Sweet Feet, and continues to work on High Z, an immersive performance installation for planetariums based on the discovery of the accelerating expansion of the universe. Prior to settling in Canada she was the Senior Reader at Soho Theatre in London, U.K. Sarah has also been an associate producer, company manager, literary associate and more in New York City. She is a graduate of Warwick University in English Literature and Theatre (U.K.), has an M.A. in Theatre from Hunter College (CUNY, NYC), and a Graduate Diploma in Communications from Concordia University (Montreal, Canada).  

Apply Now: Writing and Devising For Puppetry With Clea Minaker

Lire cette annonce en français

Dates: November 5-8th, 2019 (4-day workshop)
Time: 10 AM – 3 PM Each day
Location: Maison internationale des arts de la marionnette: 30 Avenue Saint-Just, Outremont, QC
Fee: $60 (please contact us if this fee would be an obstacle to your participation)

Writing and Devising Puppetry: Interdisciplinary Approaches to Creation

Presented in collaboration with the Association Québécoise des marionnettistes (AQM)

This  four-day workshop is designed as a laboratory to explore and experiment with puppetry and the interdisciplinary creation methods it employs as unique form of scenic writing.

In puppetry, narratives unfurl as interrelated threads woven from; objects and materials, movement and presence, light, sound and/or text. As performers activate these elements: bringing them into relationship with each other, with time, and with space: a singular poetic language is formed.

This workshop asks the question, what does it mean to create and compose in a language that is both material and time based? What are visual dramaturgies? And, where do we begin when we wish to ‘write’ with images?

Throughout the workshop, participants will be invited to engage in puppetry and performance exercises, as well as to experiment with visual mediums and creative writing techniques, in the construction of performed visual narratives.

This workshop is not designed as an introduction to technical aspects of creating or manipulating puppets, but views the puppetry arts as a large family of theatrical forms wherein material and performer meet. The workshop invites participants of diverse backgrounds (performance, puppetry, design, writing, stage technique, visual arts etc…) to gain greater perspective on the unique storytelling opportunities that puppetry presents.

In addition to structured improvisations, individual and group exercises, participants will be given (some) opportunities to explore projects of personal interest within the context of the workshop.

Note: This workshop will take place primarily in English, but many of the exercises and discussions will be led in English and French in order to best accommodate all participants.

How to Apply:

Please send your CV and/or bio as well as a brief paragraph explaining why you are interested in this workshop, and your experience with puppetry, and/or interdisciplinary approaches to creation to harris@playwrights.ca using the subject line: Exploring Practice with Clea Minaker.  The deadline to apply is Thursday October 3rd, 2019 before 1pm

Biography of Clea Minaker

Clea Minaker is a puppeteer, designer, director, and interdisciplinary creator who graduated from the sixth promotion (2002-2005) at L’École Nationale Supérieure des Arts de la Marionnette in Charleville‐Mézières, France. Through her personal creations, Clea has explored an interest for shadow, light, live video projections, as well as the poetics of manipulation and corporeal gesture.

She has collaborated across artistic disciplines: in theatre, live music, opera, dance, film, and visual arts, including collaborations with Feist (The Reminder Tour 2007/2008), Atom Egoyan, So-called, Kid Koala. She has created works for: the National Arts Centre Orchestra, Convergence: an International Summit on Art and Technology at the Banff Centre, IF! Istanbul, The Museum of Contemporary Art San Diego, and Festival Casteliers. Clea premiered her first full-length solo performance The Book of Thel, at Théâtre Lachapelle, Scènes Contemporains in 2013.

Clea has taught puppetry, shadow puppetry, and interdisciplinary creation at; U.Q.A.M ‘d.e.s.s marionette contemporain’, Concordia University, National Theatre School of Canada, Playwright’s Workshop Montreal, U.B.C.O, Mcgill University. She is currently co-director of the Banff Centre Puppet Intensive offered by The Old Trout Puppet Workshop.

In 2009 Clea was awarded the Siminovitch Protégé Prize for Theatre Design by prize Laureate and puppeteer Ronnie Burkett.

This workshop is presented in collaboration with:

Association québécoise des marionnettistes

Our exploring practice series is supported by:

Emploi-Québec and Compétence Culture Logos