PWM+MAI Joint Support for Artists Featuring Ülfet Sevdi


Playwrights’ Workshop Montréal and the MAI (Montréal, Arts Interculturels) are thrilled to announce that the PWM + MAI  Joint Support for Artists will feature Ülfet Sevdi and her work Motherhood.

The Artist

Ülfet Sevdi is a writer, theatre director, dramaturge, visual artist, and Theatre of the Oppressed practitioner based in Montreal.


She graduated in Fine Arts and Theatre in Türkiye in 2001. She holds a Research and Creation Master in the INDI program at Concordia University. She is now a PhD candidate in the INDI program at Concordia University. Her work deals with oral history and social narratives. Her approach is highly conceptual, experimental, and is theoretically grounded in the critical social sciences.


She was the co-founder and artistic director of nü.kolektif (2008-2014), an Istanbul-based collective of multidisciplinary artists involved in performances dealing with political topics. She continues this line of work with Thought Experiment Productions (2015-) since coming to Montreal, a production company she also co-founded and that she co-directs.


Her past work has been funded by the Canada Council for the Arts, the Montreal Council for the Arts, and the Cole Foundation. It has been presented in Brazil, Canada, Colombia, Denmark, Ireland, Türkiye, and the USA.

THE PROJECT

In the moment of my artistic and academic mid-career, less than two years ago, I have become a mother. I had just finished a Master thesis. It was still during the Covid pandemic. They say having a child changes your life. But you do not understand it until it happens to you. It is a deep, highly rewarding but also very demanding existential state.

How do we continue, what can be done? When will we be able to regain our normal artistic life? Our performer’s body? Our capacity to focus on reading and writing? After almost a year of pregnancy follow the first months, the first year. The body has changed; constraints –physical, emotional, psychological- are everywhere. Time flows outside, life continues.

But the artist-mother cannot keep up with all the ideas she has, cannot return to her practice. Even if she does, part of her is with the baby. You are stuck, in the physical and psychological senses of the term. You lost the freedom needed to create, both outside and inside. You lost the physical, psychological and time-related flexibility needed to create and go on stage to perform. You have to make peace with this new body. You have to find ways to understand how you can continue. As an artist, your financial well-being depends on your performance practice. You could use daycares, babysitters, but they cost money… to make money you need more money. Having a baby costs money, new needs are involved. If the system offers something, is it really enough? Is the father able to make it alone? And when you don’t have the traditional family support… To create you need time and space, to perform as well. Without time you can’t develop your ideas. Without time to create, you have nothing to perform. The experience is opening layers over layers of difficulties: the systemic, the psychological and the physical. Many different paradoxical vicious circles open up in front of you. And you’re exhausted.

This performance will be based around the technique I have developed in my last performance, Numbers Increase As We Count…, a technique I have called “Performative Acting”. It is a technique that involves specific tasks as well as dramaturgically framed open structures. I have sketched the framework for this technique in my Research and Creation Master Thesis in the INDI program, and am currently developing it further in my current PDH studies in the same program. For this project, I intend to carry this work with different artist- mothers/mother-artists from different performative artistic disciplines.

THE PROGRAM

The PWM + MAI joint support accompanies creators on their journey to develop a project and explore their practice. It is aimed at artists encountering structural and systemic obstacles to their full participation in the arts because of their claimed identity and/or perceived identity in society. 

More details about the program available here.

We are so excited to support the development of Ülfet’s project, and wish her a fulfilling creation process!

This program is a partnership between
PWM logo
Project supported by the Government of QuébEc as part of l’Entente sur le Développement Culturel and the City of Montreal, and by the Canada Council for the Arts
Canada Council logo

PWM+MAI Joint Support for Artists Featuring Jamila ‘Jai’ Joseph


Playwrights’ Workshop Montréal and MAI (Montréal, Arts Interculturels) are thrilled to announce that the PWM + MAI  Joint Support for Artists will feature Jamila ‘Jai’ Joseph with her work Wild Roots.

THE ARTIST

Headshot of Jamila Jai Joseph

Jamila ‘Jai’ Joseph is a Montreal based interdisciplinary artist with her primary mediums being dance performer 20+yrs/choreographer 10+yrs, self taught emerging singer 15yrs/song writer 15yrs, emerging theatre artist 3yrs.  

A past recipient of Black Theatre Workshop’s Victor Phillips award in 2002 Jamila has continued performing, creating, and learning, telling her stories, and sharing her expressions throughout her work. In 2015 Jamila started JaiDanse, a dance facilitation/dance performance company and has produced and co-produced shows both for stage and theatre at local venues around the city. Mothers Say I Love you, written by Trey Anthony (Black Theatre Workshop 2019) & Nicole Brooke’s a Cappella “musical odyssey” Obeah Opera (ASAH Productions 2019) in Toronto, with her first stage role being back in 2017  where she portrayed ‘Lady in Purple’ in the Ntozake Shange’s For Colored Girls… (McGill University’s Tuesday Night Café Theatre) and again in 2018 as an “Encore presentation…” produced by the cast (Les 6 Productions). As we all came to stand still in the last 2 years, Jamila used the time to study her crafts, sharpen her creative tools and has added some new skills to her toolbelt. Currently, she is choreographing for theatre (tba) and is also writing script and song/working on her own Performance Theatre piece entitled Wild Roots.

THE PROJECT

Wild Roots is a theatrical fantasy that glimpses into the journey of a young Canadian Caribbean woman as she explores spiritual connection to self through a unique series of events. Held within a dream, song, dance & folkloric customs set the tone for this learning session as she confronts challenging parts of herself that she must work through. Taking a deeper look at the differences in how one may go about questioning old belief systems, cultural and societal norms.

The modality of healing becomes the landscape on which this story roots itself, using an interdisciplinary approach and perspective to narrate the story further exploring how intergenerational traditions can lend itself to self-discovery and healing.

THE PROGRAM

The PWM + MAI joint support accompanies creators on their journey to develop a project and explore their practice. It is aimed at artists encountering structural and systemic obstacles to their full participation in the arts because of their claimed identity and/or perceived identity in society. 

More details about the program available here.

We are so excited to support the development of Jamila’s project, and wish her a fulfilling creation process!

This program is a partnership between
PWM logo
Project supported by the Government of Quebec as part of l’Entente sur le Développement Culturel and the City of Montreal, and by the Canada Council for the Arts
Canada Council logo

A downloadable version of this announcement is available here:

Introducing PWM+MAI joint support artist Tanha Gomes

Playwrights’ Workshop Montréal and MAI (Montréal, Arts Interculturels) are thrilled to announce the inaugural season of PWM + MAI joint support for artists interested in working with a dramaturg with artist Tanha Gomes and her project Wreaths of Ashes!

THE ARTIST

Headshot of artist Tanha Gomes
Photo by Daniele Barroso

Visual artist and cultural worker, Tanha Gomes has worked in several artist-run centres and art galleries in Montreal. Since 2011, she has been involved in initiatives that bring art to communities with people of all ages.

Born into a multicultural family in Brazil, she moved to Canada as a teenager and has since lived between these two worlds. Her immigration experience leads her to explore the links between displacement, death and memory. Fascinated by the traces of personal history on people’s bodies and trajectories, she uses photography in order to conduct intimate and delicate explorations of identity. She seeks to create contemplative works using time as raw material, often with long exposures that require bodies to remain still. Tanha’s images are marked by a performative aspect, through simple imprints or a promise of movement. Recently graduated from a master’s degree in Arts Education, she aspires to develop her artistic practice around cultural identity.

THE PROJECT

A sensitive exploration of the links between memory, absence, ritual and mourning, Wreaths of Ashes will consist of a video and photo installation nourished by a series of creative workshops with the public. The installation plunges the spectator into a multi-channel video lasting over an hour, played in a loop, alongside by a photo mural of the objects produced during the workshops. 

History of the wreaths

The project is inspired by a story told to Tanha by her mother. Following the death of a young cousin in the 1950s, the women of the family started to regularly pay tribute to their deceased loved ones by making funeral wreaths from plastic flowers. A few days before the Day of the Dead, they would gather around a table during tea time to weave these wreaths, which became portraits of the deceased, displaying their favourite colours and referenced their lives and some of their features. 

Tanha is the first artist supported by the PWM+MAI joint support for artists program. Over the duration of the program, she will benefit from personalized support for her project, a $5,000 fund allocation, training and reflection opportunities, access to the MAI rehearsal studios, and 30 hours with a dramaturg.

THE PROGRAM

The PWM + MAI joint support accompanies creators on their journey to develop a project and explore their practice. It is aimed at artists encountering structural and systemic obstacles to their full participation in the arts because of their claimed identity and/or perceived identity in society. 

More details about the program available here.

We are so proud to support the development of Tanha’s project, and wish her a fulfilling creation process!

This program is a partnership between
PWM logo
Project supported by the Government of Quebec as part of l’Entente sur le Développement Culturel and the City of Montreal, and by the Canada Council for the Arts
Canada Council logo
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