Ostinato (I Would Prefer Not To)

A black and white photo of the hair of Strange Victory Performance members David Gagnon Walker and Tori Morrison. On a black background, written in white, the words Public Reading, Ostinato (I Would Prefer Not To) by David Gagnon Walker to the right of the photograph.

Written by David Gagnon Walker

Created and performed with Tori Morrison

A Strange Victory Performance

Developed in collaboration with PWM

Date : Friday, October 25, 2024
Heure : 3 PM
Lieu : Studio PWM, 7250 rue Clark Suite 103, Montreal, QC  H2R 2Y3
Veuillez noter que Playwrights’ Workshop Montréal n’est pas situé dans un bâtiment entièrement accessible. Notre espace est situé au-dessus du niveau de la rue et n'est accessible que par un escalier (neuf marches). Plus d'informations ici.

Cet évènement est GRATUIT. Les dons sont les bienvenus à la porte.

This work-in-process reading will be the culmination of a week of exploration between David, Tori, Christian Barry and Fatma Sarah Elkashef and will be followed by a conversation with the playwright.

Please RSVP by emailing heather@playwrights.ca: There is limited seating available, so reservations will be first come, first served.

Synopsis

David and Tori tell two stories. One story is true and recent. The other is made up and old. One is about being a certain type of person with a certain type of mind. The other is about dealing with that type of person. They’re kind of the same story on a loop. Every song is kind of the same song. You know a song is over when it stops.

Content advisory

Mental illness, suicide

Informations d'accessibilité

You can find accessibility information about our space ici. Please let us know if you have any accessibility requests when you RSVP so we can do our best to accommodate them. Some accessibility request examples include, but are not limited to: Reserving a seat close to the front, on an aisle, or close to the exit; reserving a seat for a support person, etc.

À propos de l'auteure



David Gagnon Walker is an award-winning writer, performer, and translator born in Edmonton and based in Toronto. His work has been performed and developed in cities across Canada, and through residencies in Sweden, Finland, France, Australia, and the USA. David’s interactive play This Is the Story of the Child Ruled by Fear has been touring since 2021, with twelve presenters to date including an upcoming Ontario Presents tour, and is published by Playwrights Canada Press. Other recent projects include Premium Content (Major Matt Mason Collective/High Performance Rodeo), The Last Children (Curtain Razors), and the English translation of Gabrielle Chapdelaine’s The Retreat (Imago Theatre). He holds an M.A. in Performance Studies from the University of Toronto, and is a graduate of the playwriting program at the National Theatre School of Canada. www.davidgagnonwalker.com

David is Artistic Producer of Strange Victory Performance, a collaboration with composer and production manager Tori Morrison. Their projects collide highly personal content with new performance forms and modes of audience engagement. While grounded in text-based theatre practices, their work has included artists and methods from music, dance, circus, visual art, and digital performance. SVP’s primary interest is the mystery of creativity: the movement from an impulse, to an image, to a structured artistic work, and how this movement can inspire, heal, and transform the human beings it passes through. 

This event has been made possible with support from PGC through the PlayConnect program.

BOARD RECRUITMENT: Be Part of PWM’s Board of Directors

The words Join the PWM Board of Directors written in white over a blue background. The PWM logo on the bottom right.

Pour lire la version bilingue de ce recrutement, CLIQUEZ ICI.

If you are interested in becoming a member of the PWM Board of Directors, or want to learn more, please reach out to Alanna (Alan) Wrenshall, Managing Director, at alanna@playwrights.ca.

About us

Playwrights’ Workshop Montréal (PWM) is a dynamic nonprofit organization dedicated to the art and craft of dramaturgy and playwriting. PWM acts as an incubator for new work that brings together dramaturgical expertise, a multimedia space in Montreal, and various support programs for writers, translators, interdisciplinary creators and their collaborators.

Our commitment is to support playwrights and artists through the creative process according to their vision for their work. The organization strives to cultivate a space where playwrights can be artistically vulnerable and open, challenge themselves, and define their own risks and goals.

For over 60 years, playwriting and theatre creation have been at the heart of PWM. Programs have also expanded to now include the exploration of devised, digital, and interdisciplinary modes of theatre and performance creation. We actively seek collaborations with diverse artistic approaches and are dedicated to supporting works that reflect a wide range of cultural identities and experiences.

The board

PWM is on the search for new members to join its Board of Directors. The Board’s mission is to support the growth of PWM and deepen the impact of its programs. We work to provide oversight, specialized expertise, and guidance to the organization and its leaders.

The Board of Directors is composed of 7 to 15 directors, one third of whom are artists. The Board meets 6 times a year, every two months. Including committee involvement, the expectations of time required are approximately 2 to 4 hours a month.

Those interested should reach out to the Managing Director, Alan Wrenshall, at alanna@playwrights.ca.

PWM welcomes applicants from a variety of background expertise, but those with the following profiles are strongly encouraged to reach out:

Account and finances

This individual will bring expertise in financial oversight, budgeting, and accounting practices. Their responsibilities will include overseeing the organization’s financial health, ensuring accurate financial reporting, and providing strategic financial advice to support our mission. Ideal candidates will have a background in accounting or finance, experience with non-profit financial reporting, and a commitment to fostering financial transparency and accountability.

human resources and organization

Key responsibilities will include advising on best practices for recruitment, retention, and employee engagement, as well supporting the Artistic and Managing Directors to answer any HR questions and provide guidance on the best path forward, all while ensuring compliance with employment laws and regulations. The ideal candidate will have a strong background in HR management, organizational development, and a passion for creating inclusive and supportive work environments.

Fundraising & Development

This individual will bring  their experience in fundraising strategies, donor relations, and development planning. Their role will involve providing guidance in fundraising and outreach, identifying and cultivating potential donors, and developing long-term funding strategies to support our programs. The ideal candidate will have a proven track record in successful fundraising campaigns, excellent networking skills, and a deep commitment to advancing the mission of PWM through sustainable financial support.


PWM welcomes all applications. While recognizing that the identity of each person is fundamentally plural, and multidimensional, we strongly encourage applications from individuals who are Indigenous (First Nations, Métis, and Inuit), Black, POC, racialized (including recent immigrants), 2SLGBTQQIPAA+, neurodivergent, disabled, living with chronic illness and/or chronic pain.


Introduction to Theatre Translation with Leanna Brodie

Extended DEADLINE: Sunday, September 29, 2024, 11:59 PM EST.

If you have any questions regarding accessibility, or require assistance with this application, please contact accessibility@playwrights.ca

This introductory workshop for playwrights and theatre artists aims to offer participants ways to approach theatre translation, an enriching craft where the questions you ask are just as important as the answers you come to. In this workshop, participants will explore the practice of translation including thinking through questions such as: Why this play? How best to serve the original? Where to start? What are the challenges, and where to look for opportunities for development and production?

Please note that the workshop will run primarily in English, with interpretation between English and French as needed. Applicants curious about translating languages other than English or French are encouraged to apply: many of the same  principles and skills will be transferable.

Participants may come with a play translation in mind or else be matched up with a play for the purposes of this workshop. A minimum of two weeks before the workshop begins, participants need to share their intended text with the facilitator, or request that a text be assigned. Additional brief translations may also be assigned as in-class exercises. 


SCHEDULE

Monday, November 4: 12 – 3PM

Tuesday, November 5: 12 – 3PM

Wednesday, November 6: 12 – 3PM

Thursday, November 7: 10AM – 12PM

Friday, November 8: 12 – 4PM

LOCATION

PWM Studio: 7250 Rue Clark #103, Montreal, Quebec, H2R2Y3

Click here for accessibility information and video tours of our location.


Participants are expected to be available for the duration of the scheduled sessions.

HOW TO APPLY:

If you are interested in applying, please fill out this Google Form by 11:59 PM EST on Friday, September 27, 2024.

Questions about this workshop can be sent to PWM’s Artistic Producer, Leila Ghaemi, at leila@playwrights.ca with the subject line: Exploring Practice with Leanna Brodie.


PWM welcomes all applications. While recognizing that the identity of each person is fundamentally plural, and multidimensional, we strongly encourage applications from artists who are: Indigenous (First Nations, Métis, and Inuit), Black, POC, racialized (including recent immigrants), 2SLGBTQQIPAA+, neurodivergent, disabled, living with chronic illness and/or chronic pain. PWM is strongly committed to supporting a wide range of cultural identities and lived experiences, therefore we encourage applicants to self-identify in their application if they are comfortable doing so.


ABOUT THE WORKSHOP FACILITATOR:

Leanna Brodie is a leading translator of contemporary Québécois and Franco-Canadian playwrights whose award-winning translations have been published and produced across North America. Recent premieres have included David Paquet’s Wildfire (Factory Theatre, Toronto: 2022 Dora Mavor Moore Award for Best New Play); Anaïs Pellin’s Clementine (Kleine Compagnie/Carousel Theatre/PHT, Vancouver); Fanny Britt’s Benevolence (Ruby Slippers Theatre/Pacific Theatre, Vancouver); and Rébecca Déraspe’s I Am William (Stratford Festival, Théâtre le Clou). This season sees the premieres of Sébastien Harrisson’s From Alaska (Belfry Theatre, Victoria) and Catherine Léger’s Home Deliveries (Ruby Slippers Theatre/Jericho Arts Centre, Vancouver). Brodie is also an award-winning librettist, performer, and playwright: Salesman in China, co-written with Jovanni Sy, just premiered to great acclaim at the Stratford Festival. Brodie recently served as Assistant Professor (Playwriting) at UBC’s School of Creative Writing; and is currently Artist-in-Residence at Concordia University. www.leannabrodie.com


LEARN MORE ABOUT EXPLORING PRACTICE WORKSHOPS


THIS WORKSHOP IS FINANCIALLY SUPPORTED BY

AMPLIFIER 2025-2026

A colourful background made up of salmon pink, royal blue, and turquoise blue blocks. At the bottom left corner, a five white lines of varying length. At the top center, the word Amplifier is written in royal blue, all capital letters. At the bottom right, the words Call For Applications are written in white

CALL FOR APPLICATIONS

Playwrights’ Workshop Montréal (PWM), LA SERRE – arts vivants (LA SERRE) and the Conseil des Arts de Montréal (CAM) are currently accepting applications for the 2025-2026 English-language edition of AMPLIFIER.

The deadline to submit applications is October 23, 2024 at 11:59PM EST.

If you have any questions regarding accessibility, require assistance with your application, and/or would like to discuss alternative methods of applying, please contact accessibility@playwrights.ca. 

If you have any questions regarding this program, your application, or the eligibility of your project, please contact our Artistic Producer, Leila Ghaemi, at leila@playwrights.ca with the subject line: AMPLIFIER

AMPLIFIER offers a long-term exploratory creation process to a playwright who identifies as Indigenous (First Nations, Métis, and Inuit), Black, POC, racialized, including 1st or 2nd generation immigrant artists (as defined in the Conseil des Arts de Montréal’s glossary), working creatively in one of Canada’s official languages. This program offers artistic and financial support to one working* playwright residing on the island of Montréal, including dramaturgical collaboration, a professional workshop with actors, and a residency leading to a presentation to programmers and peers.

AMPLIFIER seeks to foster dialogue between Montréal’s English and French speaking theatre communities, as well as intercultural exchanges and greater representation for culturally diverse artists within the theatre community and on Montréal’s stages.

In order to support artists creating in French and artists creating in English, CAM et La Serre offer this program alternately with the Centre des auteurs dramatiques (CEAD) in French (Résidence Voix Théâtrales), and with PWM in English. The 2025-2026 edition is intended for artists working in the English language. PWM supports English language minority artists in Quebec, therefore the work with PWM will take place in English. Applications are to be submitted in English.

Please refer to the Program Presentation (PDF) for more details about what this partnership includes, program eligibility criteria, and other conditions.

THE SUPPORTING ORGANIZATIONS

PWM logo

CONSEIL DES ARTS DE MONTRÉAL 

Founded in 1956, the Conseil des arts de Montréal identifies, supports and recognizes excellence in the professional creation, production and dissemination of the arts.

To remain in tune with the organizations and collectives it serves, the Conseil relies on its knowledge of the communities, its innovative skills, and its ability to bring the city’s artists and financial partners together.

PLAYWRIGHTS’ WORKSHOP MONTRÉAL 

Fondé en 1963, le Playwrights’ Workshop Montréal (PWM) est un centre de développement dramaturgique national situé à Montréal. Le PWM est dirigé par une équipe de dramaturges et de gestionnaires culturels d’expérience. Axée sur la dramaturgie, sa mission est de collaborer avec des artistes au développement d’œuvres originales de théâtre et de performance. Le PWM offre aux artistes la possibilité de créer, d’expérimenter, de rêver, en osant le risque. Son travail en collaboration s’appuie sur la vaste expertise de son équipe et s’ajuste parfaitement aux besoins spécifiques de chaque artiste. Playwrights’ Workshop Montréal (PWM) is a nationally-mandated theatre creation and development centre based in Montréal. PWM is led by a team of experienced dramaturgs and arts administrators. With a focus on dramaturgy, its mission is to collaborate with artists in the development of new works of theatre and performance. PWM gives artists the opportunity to create and experiment, dream and take risks. Its collaborative process draws on the team’s unique experience and is tailored to the artist’s individual needs. 

At PWM, playwrights, dramaturgs, translators, directors, performance makers, and theatre companies across the country find a creative collaborator willing to invest deeply in the development of meaningful work. PWM acts as a community hub for theatre-makers in Montreal and beyond.

PWM operates a 2,000 square foot creation studio and shared office space, equipped with theatre lighting, sound and digital equipment. Click here for accessibility information for our office and creative studio space: https://www.playwrights.ca/accessibility-contact/

LA SERRE – ARTS VIVANTS

LA SERRE is a structuring incubator that supports emerging artists in the development and establishment of their artistic practices. It offers initiatives conducive to their visibility; takes care of its community, and offers inspiring spaces. LA SERRE supports emerging artists by creating lasting and invested connections with them. It enables artists to create and share performances that shift the perspectives of spectators and explore new ways of being together. The practices supported by LA SERRE question, transform and resist preconceptions, let pluralities unfold, and contribute to the renewal of established models. LA SERRE activates collaborations between artists, citizens, fields of knowledge, and artistic disciplines. Its support is experimental and multifaceted.

SOUTIEN FOURNI

The 2025-2026 AMPLIFIER artist will receive a project creation grant of $13,000 from the CAM over two years, along with numerous support provided by PWM, LA SERRE, and CAM. This is a one-time, non-renewable grant.

The program takes place over two years, and support is provided as follows:

YEAR 1

$3,000 creation grant for a new theatrical creation

30 hours of dramaturgical collaboration with Playwrights’ Workshop Montréal

A 9 hour workshop with actors with Playwrights’ Workshop Montréal

A reading presentation with actors at Playwrights’ Workshop Montréal

YEAR 2

$10,000 creation grant for production

50 hours of production and management mentorship by LA SERRE–arts vivants

60 hours of free access to the Conseil des Arts de Montréal’s studios

Presentation of two performances in lab format

One-year subscription to Machinerie des arts.

APPLICATION PROCESS

To apply, please complete the online application form. Click here to view the form as a PDF. During the application process, you will be asked to include the following documents in PDF format:

  • A CV;
  • An excerpt of the current project (12 pages maximum);
  • A full script of a previously written theatrical work in English

Applications will be evaluated by representatives of the CAM, PWM, and La Serre. Projects will be evaluated based on merit, feasibility, and impact on the artist.

PWM welcomes all applications from eligible playwrights: Indigenous (First Nations, Métis, and Inuit), Black, POC, racialized (including recent immigrants). While recognizing that the identity of each person is fundamentally plural, and multidimensional, we strongly encourage applications from artists who meet the above criteria and are also: 2SLGBTQQIPAA+, neurodivergent, disabled, living with chronic illness and/or chronic pain. PWM is strongly committed to supporting a wide range of cultural identities and lived experiences, therefore we encourage applicants to self-identify in their application if they are comfortable doing so.

The deadline to submit applications is October 23, 2024 at 11:59PM EST.


 * This is an opportunity for professional playwrights as defined in the Conseil de Arts de Montreal glossary: “An individual with a professional artistic practice who possesses the necessary experience and knowledge to develop this practice. This includes self-taught individuals as well as those who have studied art. This person is recognized in their artistic community (artists working in the same artistic tradition), creates, carries out or publishes works of art, is dedicated to their artistic practice and is generally paid for their work.”

Announcing the 2024 Gros Morne Residency Playwrights | Dévoilement des Participant.e.s de la Résidence de Gros-Morne 2024

A photo of Gros Morne national park - a dock with water surrounding it and mountains further off. The sky is grey. The words 2024 Gros Morne Residency Playwrights written in white in the forefront.

Playwrights’ Workshop Montréal (PWM) and le Centre des auteurs dramatiques (CEAD), in partnership with Artistic Fraud of Newfoundland, Creative Gros Morne, the Bonne Bay Aquarium & Research Station, and with the vital support of the Fondation Cole, are pleased to announce the seven playwrights participating in the 2024 Résidence d’écriture théâtrale de Gros Morne

The Gros Morne Playwrights’ Residency is a dual-lingual residency that welcomes playwrights from across the country to share space and conversation in the unparalleled landscape of Gros Morne National Park, Newfoundland and Labrador. The program offers dramaturgy in French and English. 

From September 26 to October 7, 2024, Pascal Brullemans, Veronica Dymond, Mélanie Léger, Gislina Patterson, Adjani Poirier, Jovanni Sy, and Érika Tremblay-Roy will be staying at the Bonne Bay Aquarium & Research Station in Norris Point. The residents will have the opportunity to explore their plays during unstructured writing time, one-on-one dramaturgical conversations, and group discussions.

Look out for future social media posts about the artists and the residency!

Playwrights’ Workshop Montréal (PWM) et le Centre des auteurs dramatiques (CEAD), en partenariat avec Artistic Fraud of Newfoundland, Creative Gros Morne, le Bonne Bay Aquarium & Research Station, et avec le soutien vital de la Fondation Cole, ont le plaisir d’annoncer les sept auteurs et autrices dramatiques qui participeront à la Résidence canadienne d’auteurs et d’autrices dramatique de Gros Morne 2024.

La résidence d’écriture théâtrale de Gros-Morne est une résidence bilingue qui accueille des dramaturges de tout le pays pour partager un espace et la conversation dans le paysage sans pareil du parc national du Gros Morne, à Terre-Neuve-et-Labrador. Le programme propose de l’accompagnement dramaturgique en français et en anglais.

Du 26 septembre au 7 octobre 2024, Pascal Brullemans, Veronica Dymond, Mélanie Léger, Gislina Patterson, Adjani Poirier, Jovanni Sy, and Érika Tremblay-Roy séjourneront au Bonne Bay Aquarium & Research Station à Norris Point. Les résidents auront l’occasion d’explorer leurs pièces pendant des périodes d’écriture non structurées, des conversations dramaturgiques individuelles et des discussions de groupe.

Ne manquez pas les prochains messages sur les médias sociaux concernant les artistes et la résidence!

Meet the Playwrights | Rencontrez les auteurs

PASCAL BRULLEMANS (QUÉBEC)

Pascal Brullemans débute son parcours en 1994, avec Les derniers jours du Gouverneur, mis en scène par Wajdi Mouawad. Suivra une collaboration avec le metteur en scène Eric Jean, dont sont issus les pièces Camélias et Hippocampe. L’auteur fait ensuite une incursion dans l’univers jeune public avec notamment Isberg, puis Vipérine et Moi et l’autre. Puis, Brullemans collabore avec la metteure en scène Nini Bélanger pour créer Endormie(s) et Beauté, chaleur et mort. En 2016, il remporte le prix Michel-Tremblay pour la pièce Ce que nous avons fait. Ces dernières années, l’auteur a poursuit plusieurs projets dont les pièces Petite Sorcière et Ceux qui n’existent pas.

Photo credit: ​​Valérie Remise

PLAY IN DEVELOPMENT: Guide de survie

Guide de survie raconte l’histoire d’une femme qui apprend qu’elle est atteinte d’un cancer incurable et qui choisira de se départir de tous ses biens, pour terminer ses jours dans une maison de soins palliatifs… où elle ne mourra pas. Guérissant de façon inattendue, celle-ci devra surmonter l’échec de sa mort, avant de retourner affronter les vivants.


VERONICA DYMOND (NEWFOUNDLAND and labrador)

Veronica ‘Vero’ Dymond is a writer based in St. John’s, NL. She has worked in film, television, theatre, stand-up, animation, comics, and music and is featured on the Just for Laughs Originals album “Infinity Plus Pizza.” Her short films and sketches have played in festivals like the Nickel Independent Film Festival, the St. John’s Shorts Festival, Toronto Sketch Fest, NL Sketch Fest, and the Halifax Animation Festival. Her work blends queer themes with classic styles, bringing new perspectives to traditional media.

Photo credit:  Veronica Dymond

PLAY IN DEVELOPMENT: I Kill Myself: A Live Comedy Show

A priest, a writer, a juggler, a comedian, a tomboy, a construction worker, a documentarian, an addict, a land acknowledgment, a singer, a voice, an amorphous blob of misery and shame, and a tea drinker walk into a play. They are the same person. That person is me.

 “I Kill Myself: A Live Comedy Show” is a comedian’s attempt to rediscover joy after trauma. Told through stand-up, sketch, and circus, the show tackles identity, faith, what it means to be “funny.” Also, there’s knife juggling.


MÉLANIE LÉGER (NEW BRUNSWICK)

De Shédiac au Nouveau-Brunswick, Mélanie Léger (elle) écrit pour le théâtre, la télévision et le cinéma, en plus de travailler comme recherchiste, réalisatrice et comédienne. Elle a écrit une douzaine de pièces de théâtre portée à la scène. À l’hiver 2024, la pièce Becca (une coproduction du Théâtre Populaire d’Acadie et de Theatre New Brunswick) était en tournée un peu partout au Nouveau-Brunswick. En même temps, la pièce pour ados Tsunami (une production du théâtre l’Escaouette) était présenté en reprise au Québec et à Ottawa.

Photo credit: Emmanuel Albert

PLAY IN DEVELOPMENT: P’tite affiche de tête de mort au bord de la route (titre de travail)

« J’ai longtemps pensé qu’il serait simple et facile de bannir les pesticides à usage esthétique. Le monde serait sauvé. En tout cas, il serait un peu moins empoisonné. Mais – et j’ai honte – je n’ai jamais vraiment agi avant que le problème se retrouve, comme qui dirait, dans ma cour. »  La pièce entame un chantier de création autour de ma/notre relation aux pesticides au Nouveau-Brunswick. Dans ce premier chapitre, je souhaite explorer les mœurs entourant les pesticides à usage esthétique.


GISLINA PATTERSON (manitoba)

Gislina Patterson is a playwright, performer, director, and dramaturg. His play i am your spaniel, or, A Midsummer Night’s Dream by William Shakespeare by Gislina Patterson has been presented by SummerWorks, Buddies in Bad Times, and the London Ontario Media Arts Association. They dramaturged and directed Dasha Plett’s award winning play 805-4821 which toured to SummerWorks, OFFTA, PushOFF, Théâtre Catapulte, and Buddies in Bad Times. They co-directed the premiere of “Rencor Vivo” by The Mariachi Ghost with Jorge Requena Ramos at the Prismatic Festival, and were the 2019 recipient of the Reg Skene Award for Emerging Artists.

Photo credit: Dasha Plett

PLAY IN DEVELOPMENT: Eat Me

“Those who speak of revolution without speaking of everyday life talk with a corpse in their mouths.”
– Raoul Vaneigem

Eat Me is an erotic lesbian melodrama about student loans, dentistry, and cannibalism. Helga, a burned out recent art school grad meets Camille, a wealthy butch dentist 35 years her senior during her first check up in 5 years. After a chance run in at Helga’s gallery job the women find themselves drawn to each other. When Helga, desperate to pay down her debt, moves into Camille’s waterfront condo, their relationship spirals into toxic, bloody, and ultimately fatal codependency. Eat Me as a play about real estate, the fundamental imbalance in the safety and stability of those who own property vs those who rent, and the ways that this imbalance can make love impossible.


ADJANI POIRIER (QUÉBEC)

Adjani Poirier is a theatre artist who currently lives and writes in their hometown of Tiohtiá:ke/Montreal. 

She is interested in creating work that explores the beauty and the ugly of the human experience, is drawn to stories that reveal the complexity of navigating a world where systemic inequalities oppress, yet love and connection still seep through the cracks, strong and fierce, giving us life. Their writing uses magical realism to explore ideas of home, queer desire and how the subconscious influences our relationships to each other and our physical surroundings. 

Adjani is an Associate Artist at Imago Theatre and a graduate of the National Theatre School of Canada where she studied playwriting.

Photo credit: Alex Tran

PLAY IN DEVELOPMENT: One Spectacular Moment

Montreal, present day. Africville, 1967. A rift in time, an undoing of space, a shift in reality, the two worlds merge.  

Historical fiction meets magical realism in a play that explores the connections between the historic Black community of Africville, urban renewal, the civil rights movement, the current housing crisis in Canadian cities and QTBIPOC activist movements. One Spectacular Moment is a celebration of those who resist in the face of systemic discrimination and the complexity that goes into this kind of activism: the determination, the exhaustion, the bravery, the necessity, the grief, and the hope.


JOVANNI SY (QUÉBEC)

Jovanni Sy is a Montreal-based playwright, director, and performer. He is the former artistic director of Gateway Theatre (Richmond) and Cahoots Theatre (Toronto). Since 1992, Jovanni’s artistic mission has been to create bridges across cultures with a particular interest in reimagining Western classics through an Asian Canadian lens. His plays include Salesman in China (co-written with Leanna Brodie), A Taste of Empire, The Five Vengeances, Nine Dragons (Jessie Richardson Award), The Tao of the World (PGC Comedy Award), and Kowloon Bay (PGC Drama Award).

Photo credit: Kristine Cofsky

PLAY IN DEVELOPMENT: Fan Tan Alley

Fan Tan Alley is a fast-paced farce set in a Chinese bunkhouse in Victoria’s famous Fan Tan Alley around 1900. The action takes place in a tiny room with six beds that is time-shared among almost twenty Chinese men. Most of the tenants have loose connections to the seedier aspects of Fan Tan Alley and struggle to find privacy in a place where privacy is impossible. Fan Tan Alley is a Silver Commission project from Vancouver’s Arts Club Theatre.


ÉRIKA TREMBLAY-ROY (QUÉBEC)

Érika Tremblay-Roy est autrice, metteuse en scène et directrice artistique du Petit Théâtre de Sherbrooke. Elle signe des formes interdisciplinaires qui laissent une grande liberté de lecture aux jeunes publics.  Ses œuvres, jamais prescriptives, touchent, questionnent et décoiffent. Parmi ces créations récentes, citons Le Potager, un concert-rock pour tout-petit.e.s,  Le problème avec le rose, où elle aborde avec sensibilité et humour les questions du genre et de la diversité sexuelle et Prince Panthère, un cabaret-onirico philosophique déroutant. Érika est une créatrice qui va là où on ne l’attend pas, les métissages qu’elle réussit à créer entre les langages se renouvelant à travers l’un et l’autre de ses projets.

Photo credit: Annick Sauvé

PLAY IN DEVELOPMENT: Très beau mais très difficile (titre de travail)

Que c’est difficile d’habiter l’échec avec humanité. D’admettre que tout ne se passe pas comme on le voulait. Tout ce qui nous entoure carbure au sentiment de réussite. Il faut être au top en tout. Pourtant, rien ne se passe jamais comme on l’avait imaginé. Comme dans un jeu déroutant où on ne connait ni le but ni ce qu’on gagne, quatre interprètes débordés par la tâche insurmontable qu’on leur confie nous invitent à l’intérieur de familles, toutes sortes de familles, remuant la montagne des petits et grands ratés qu’on doit traverser et qui nous façonnent.


Logo of the Cole Foundation

The 2024-2025 Young Creators Unit

Calling all emerging playwrights and theatre creators, the 2024-2025 Young Creators Unit is now accepting applications!

If you have any questions regarding accessibility, require assistance with your application, or would like to discuss alternative methods of applying and deadline flexibility, please contact accessibility@playwrights.ca

In 2024, we are proudly celebrating the 10th anniversary of the Young Creators Unit!

Applications are now open and due by August 11, 2024, 11:59PM EST. 

Are you a theatre maker under 30, looking to hone your craft in storytelling? Do you have a brilliant idea for a play, but are not sure how to get it on paper? Or maybe you need feedback and guidance to elevate your first draft to the next level?

If any of this sounds like you, then PWM’s Young Creators Unit is the place to develop your work and artistry.

This creative incubator supports emerging artists to find their voice, make connections, and learn new storytelling skills, all while developing the practical skills they need to establish a successful career in the arts. All you need to apply is an idea, a question, theme, or an image you’d like to explore.

From September 2024 -June 2025, participants will receive one-on-one dramaturgical sessions, mentorships with industry professionals, and participate in group writing sessions and workshops. YCU participants are also provided professional development resources and opportunities, such as grant writing support and guidance, access to local theatre performances, and networking opportunities.

If you are interested in learning more about the Young Creators Unit and PWM, or about the YCU 2024-2025 Application Process, please email Leila at leila@playwrights.ca.


YCU is led by PWM’s Artistic Producer & Dramaturg, Leila Ghaemi.

Thrilled to be back leading the YCU for her third year, Leila Ghaemi (she/elle) is a dramaturg, director and teaching artist. Her artistic pillars include responsible MENASA representation, radical theatre empowerment, and new play development. She received her BFA in Theatre Arts and MFA in Theatre Education & Direction from Boston University’s School of Theatre, where she grew her love for and skills in dramaturgical methods. She currently serves as the board president for Persephone Productions Montreal. 

Recent external credits include: Creative Consultant, POTUS (The Segal Centre); Cultural Consultant & Audience Engagement, English (The Segal Centre for the Performing Arts); Senior School Drama Teacher, The Study School; Co-Director, Pool (No Water) (Persephone Productions Montreal); Director, Romeo & Juliet (Classic Repertory Theatre); Director, The Scarlet Letter (Classic Repertory Theatre); Artistic Associate, New Repertory Theatre; Dramaturg & Director, The Tragic Ecstasy of Girlhood (Boston Playwrights’ Theatre); and Script Reader & Conservatory Associate, American Conservatory Theater.


PWM welcomes all applications. While recognizing that the identity of each person is fundamentally plural, and multidimensional, we strongly encourage applications from artists who are: Indigenous (First Nations, Métis, and Inuit), Black, POC, racialized (including recent immigrants), 2SLGBTQQIPAA+, neurodivergent, disabled, living with chronic illness and/or chronic pain. PWM is strongly committed to supporting a wide range of cultural identities and lived experiences, therefore we encourage applicants to self-identify in their application if they are comfortable doing so.

 Click here to preview the application form as a PDF. 


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If you are interested in applying, please fill out this Google Form by 11:59 PM EST on August 11th, 2024.

Your application will require the following information:

  • A brief bio of yourself, and your experience (if any) as a storyteller/creator.
  • A brief description of the work you would like to develop in the YCU this year, or a list of some ideas.
  • A brief description sharing why you would like to join the Unit, and what you hope to get out of the experience.
  • Any additional writing and/or artistic materials you would like to have considered with your application. This can be a current script excerpt, mood boards, music playlists, past work, etc. This helps us get to know you and what sparks your interest as an artist!

The program will run from September 11th, 2024, to May 31st, 2025. Group sessions will take place biweekly on Wednesdays from 5-8PM in the PWM Creative Studio, located at 7250 Rue Clark, suite #103. 

The number of Cohort members we can accept is limited, and participants are expected to attend the group sessions, one-on-one meetings,  as well as commit to additional self-directed activities. Please only apply to the YCU if you are able to commit to the full schedule. All applicants will be informed of their results by Friday, September 6th, 2024. 

The Selection Process

Due to the high level of interest in the YCU each year, we will be holding interviews with some of the potential candidates  to learn more about their interests and goals, and what they hope to gain from the program. This is also a great opportunity for you to ask us questions! Please note that not all applicants will be contacted for an interview, and that an interview does not indicate whether or not you have been accepted into the program.

Once the application period is closed, all applications will be reviewed and considered. There are many factors that go into the selection process, such as group dynamics and the range of experience within the Cohort. Decisions will not be based on training or competencies; we therefore encourage applications from all backgrounds and experience levels.

If you have any questions, please contact YCU’s Lead Dramaturg, Leila Ghaemi at leila@playwrights.ca


“A singular space for incubation and support, YCU meets young artists where they’re at. During my time I was able to garner so much I wouldn’t be able to achieve alone: an ensemble of motivated peers, unique workshops from interdisciplinary practitioners along with space and time for my piece to grow. Along with the development of my piece, YCU fosters exploration of the playwright’s process, understanding that with each unique story comes unique approaches to the artist and their creation.”

— 2023-2024 YCU Cohort Member


Learn more about the Young Creators Unit.

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