Building Your Grant Proposal, with Jesse Stong

MORE ABOUT EXPLORING PRACTICE WORKSHOPS.
APPLICATION DEADLINE: January 30th, 2023, 11:59 PM.

This hands-on workshop will give participants the chance to articulate their project outlines with realistic timelines and budgets, with tips on writing innovative and authentic project proposals. 

Participants will build the foundation of their project grant, in a shared Zoom room with collaborative feedback. They’ll learn more about where to apply and when, and how to build a clear and powerful application by developing dynamic writing samples. By the end of these sessions, each participant will leave informed on how to seek diverse sources of funding, with guidance on partnership-building for the future of their proposed project. The workshop is infused with motivational insights – how to empower and even enjoy grant writing. Lastly, each participant will get one-on-one time with the facilitator for some intensive and individualized support.

“Building Your Grant Proposal” is co-presented  by Playwrights’ Workshop Montréal (PWM) , the Quebec Drama Federation (QDF), and le Conseil de la formation continue (CFC).


SCHEDULE

Tuesday, February 28th, 2023, 1PM to 4PM
Wednesday, March 1st, 2023, 1PM to 4PM
Thursday, March 2nd, 2023, individually scheduled one-on-one time
Friday, March 3rd, 2023, individually scheduled one-on-one time

LOCATION

REMOTE (Zoom)

NOTE: The workshop is participatory in nature. Those taking part should come to the workshop with a project/residency idea that they are genuinely interested in developing a grant proposal for. This idea can be fully developed or a seed of a new project. An integral part of this workshop is in supporting the ideas of others and contributing to the group discussions. Participants should be available for the duration of the time scheduled. 


HOW TO APPLY:

Applications, or questions, can be sent to helena@playwrights.ca with the subject line: Exploring Practice with Jesse Stong. Audio and video applications are also welcomed. 

Those interested in participating should provide the following information, no longer than one page or 6 minutes of material:

  1. a paragraph about you
  2. a paragraph about your project 
  3. your history/experience with grant writing (if applicable; having none is fine)
  4. any specific areas of concern or questions, in regards to the workshop, your project, or your current direction in finding funding

If you have any questions regarding accessibility, or require assistance with this application, please contact accessibility@playwrights.ca.

Apply before January 30, 2023, at 11:59 PM


The workshop is open to playwrights and other interested theatre makers. 

Participation is free. Workshop participants are selected based on the need of each project seeking grant assistance, and complementary experience of the applicants. We encourage all levels of experience to apply.

PWM is committed to creating an environment where all individuals are treated with dignity and respect.  We are continuously working to make all of our programs accessible and inclusive. While recognizing that the identity of each person is fundamentally plural, and multidimensional, we strongly encourage applications from artists who are: Indigenous (First Nations, Métis, and Inuit), Black, POC, racialized (including recent immigrants), 2SLGBTQQIPAA+, neurodivergent, disabled, living with chronic illness and/or chronic pain. PWM is strongly committed to supporting a wide range of cultural identities and lived experiences, therefore we encourage applicants to self-identify in their application if they are comfortable doing so.


ABOUT THE WORKSHOP LEADER:

Jesse Stong (they/them) is a proud parent of twins, a graduate of Playwriting from the National Theatre School of Canada, and received a Master’s in Art Education from Concordia University. They are an award-winning queer creator, dramaturg, and educator. Over the years, Jesse has supported over 140 emerging Canadian storytellers as director of our Young Creators Unit.  Jesse also leads our New Stories Project for Neurodiverse Storytellers. Jesse is an occasional content creator/editor for Moment Factory, and was recently Manager of Children’s Programming for Watchmojo.com, Associate Curator for the National Arts Centre Disability Summit, and Host of the Montreal English Theatre Awards.

Headshot photo credit: Emelia Hellman


PRESENTED IN COLLABORATION WITH
THIS WORKSHOP IS FINANCIALLY SUPPORTED BY
Compétence Culture Logo

JOB POSTING: Administration Assistant + Program Coordinator (YCU & New Stories)

Please note this position has been filled.

Position Summary

This is an administration and logistics role split between two main areas of responsibility: 1) that of an Administration Assistant, offering the management team support in the daily operations of the organization and 2) that of the Young Creators Unit (YCU) & New Stories Coordinator who will work closely with PWM’s Dramaturgs, Leila Ghaemi and Jesse Stong, on the administration, coordination and artistic support of these two programs.

Note: while there will be the option to work from home occasionally, this position requires a regular presence in the office and the selected candidate will be expected to work at PWM from 9am to 5pm most days of the week.

Salary and Benefits
  • $21 per hour for 40 hours per week
  • Five weeks paid vacation (two weeks over the holiday period and three additional weeks)
  • 10 paid wellness/sick days per year
  • Reimbursement for one theatre ticket per month or 12 per year
  • Health benefits package
  • 1-year contract with the possibility to renew
Applications and Inquiries

Please submit your application by email to: annesophie@playwrights.ca with the subject line “Admin Assistant and Program Coordinator application”.

Applications should include:

  • Cover letter explaining your interest in working at PWM and how your experience is relevant to this position
  • CV or resume
  • Earliest possible start date

We encourage applicants to send in their application as soon as possible. For best consideration, please apply before January 5, 2023. Applications will remain open until the position is filled.


PWM values diversity in its workforce, encouraging applications from all qualified individuals. While recognizing that the identity of each person is fundamentally plural, and multidimensional, we strongly encourage applications from individuals who are Indigenous (First Nations, Métis, and Inuit), Black, racialized (including recent immigrants), 2SLGBTQQIPAA+, neurodiverse, disabled and/or living with chronic illness and chronic pain.


For accessibility information and video tours of our location, click here.


Organization, YCU and New Stories Overview

Founded in 1963, Playwrights’ Workshop Montréal (PWM) is a dramaturgically-focused theatre creation and development company based in Montréal.

PWM is led by a team of experienced dramaturgs and arts administrators. With a focus on dramaturgy, its mission is to collaborate with artists in the development of new works of theatre and performance. Its collaborative process draws on the team’s unique expertise and is tailored to the artist’s individual needs.

At PWM, playwrights, dramaturgs, translators, directors, performance artists, and theatre companies across the country find a creative accomplice willing to invest deeply in the development of meaningful work. Through PWM’s programming and activities, individual artists and companies meet and make new connections. By fostering these artistic connections, PWM acts as a community hub for theatre-makers in Montreal and beyond.

Our Young Creators Unit (YCU) is an incubator open to creators and performers under the age of 30. YCU offers emerging artists innovative, interactive, and dynamic workshops that focus on creation, dramaturgy, and professional development.

The New Stories Project offers a series of accessible storytelling workshops to emerging and established neurodivergent artists.

Primary Responsibilities as the YCU & New Stories Coordinator 

(approx. 18 hours per week)

  • Track the budget for YCU and New Stories in collaboration with the Managing Director and Dramaturgs;
  • Carry out the administrative tasks for both programs, including contracts, payments and data entry for development workshops, mentorships and professional development activities;
  • Coordinate and assist in the production of the YCU Showcase and Queer Reading Series – liaise with various staff for contracting, marketing and communications and artist support;
  • Coordinate and assist in the production of outcomes for the New Stories program (events or online videos);
  • Gather and synthesize feedback from participants of both programs;
  • Monitor and produce content for PWM’s YCU Facebook group;
  • Assist PWM’s Dramaturgs with outreach, research, program development, and grant writing for both programs;
  • Research and communicate professional development opportunities for YCU participants;
  • Act as a liaison between PWM and program participants;
  • Other related tasks as assigned by PWM Dramaturgs.
Primary Responsibilities as Administration Assistant 

(approx. 22 hours per week*these tasks take place throughout the year and do not all happen simultaneously)

Office Management:

  • Answer general enquiries through the info email address and telephone;
  • Manage PWM’s studio and office supplies that includes managing the office supplies budget, ordering of supplies and maintaining a well organized studio and office space;
  • Assist and lead PWM in maintaining clean filing systems both online and in paper;
  • Research, optimize and manage various administrative tools (example: internet, telephone, photocopier, subscriptions to various services, software licences, insurance companies, membership to various arts organizations, etc);
  • Regularly update contact information in our database CiviCRM;
  • Coordinate the weekly staff meeting agenda, and take meeting minutes;
  • Coordinate the board meetings (6-7 per year): assist the Managing Director and Board of Directors with the agenda preparation and advance reading materials, scheduling, taking the board meeting minutes and maintaining PWM’s minute book

Programs Assistance:

  • Greet workshop participants and prepare the studio space (printing scripts, setting out tables, chairs, pens, coffee, etc);
  • Manage all of PWM’s studio rentals that includes coordination with the renter, paperwork and invoicing;
  • Keep PWM’s Carol Libman Library organized and up to date;
  • Update PWM’s casting book for development workshops — work with the PWM team to implement a new digital format;
  • Data entry: manage PWM’s CiviCRM database with the outcomes of all artistic projects andevents. Assist staff with data entry, leading and guiding questions about data entry

Administrative Assistance:

  • Prepare and send invoices, make payments, and enter receipts into Quickbooks;
  • Update PWM’s annual CADAC statistics with the Canada Council for the Arts;
  • Assist the Managing Director in organizing files for the annual audit;
  • Assist the Managing Director and bookkeeper in organizing files for end of month reconciliation;
  • Assist the Managing Director with grant reporting;
  • Assist with onboarding new employees, including assigning keys, creating accounts with various programs/software, and training on administrative procedures;
  • Other related tasks as assigned by PWM’s Managing Director and Artistic Director
Skills and Characteristics
  • Excellent time management and organizational skills;
  • Ability to meet simultaneous deadlines;
  • Ability to think critically and independently problem solve;
  • Ability to work both independently and as part of a team;
  • Ability to communicate effectively;
  • Keen attention to detail;
  • Takes initiative;
  • Enjoys clerical work that includes data entry, typing, filing and organizing;
  • A commitment to PWM’s values of equity, diversity, inclusion and accessibility.
qualifications

Experience:

  • 1-2 years experience in an administration or project management role or equivalent

Technical knowledge:

  • PWM uses the following software/programs to facilitate our work: G Suite (Google Docs, Google Sheets and Google Drive), CiviCRM, Quickbooks, Slack, Asana. Experience with these specific programs is not required, but the candidate should have experience using common office software and programs.

Industry knowledge (nice to have, but not mandatory):

  • Familiarity with the creative process and new theatre creation
  • Knowledge of CAEA or ACTRA

We thank all candidates for their interest in joining PWM, however, only those selected for an interview will be contacted.

Interviews will be held via zoom starting in early January. There may be more than one round of interviews. Candidates who advance to the interviews will be asked to provide PWM with the names, phone number and email address of two references.

If you have any questions, please contact our Managing Director, Anne-Sophie Grenier at annesophie@playwrights.ca.

The Dramaturgical Process: First Principles and Practical Applications, with Andrea Romaldi

MORE ABOUT EXPLORING PRACTICE WORKSHOPS.
APPLICATION DEADLINE: January 6th, 2023, 11:59 PM.

There are as many ways to make a play as there are playwrights.

But how do you make a play? How does a play work, from moment to moment, to create narrative and meaning? What makes for a good foundation? And how do the choices you make as a writer ultimately shape the architecture of the production?

Join Andrea for an investigation of her dramaturgical process and day-to-day practice, including the opportunity to work on short scenes offered by workshop participants. You will encounter new perspectives, questions, and tools that you can apply to your writing and dramaturgy in pursuit of your own unique artistic vision.

The workshop is open to playwrights, dramaturgs and other interested theatre makers.


SCHEDULE

Monday, February 6th, 2023 from 6PM to 9 PM
Thursday, February 9th, 2023 from 6PM to 9PM
Monday, February 13th, 2023 from 6PM to 9PM
Thursday, February 16th, 2023 from 6PM to 9PM
Monday, February 20th, 2023 from 6PM to 9PM

NOTE: Participants will be assigned scenes from plays to read between sessions at a maximum of 2 hours. This preparation is central to the workshop.

LOCATION

PLAYWRIGHTS’ WORKSHOP MONTRÉAL
7250 Clark Street, #103
Montréal, QC
H2R 2Y3


Click here for accessibility information and video tours of our location.

If you have any questions regarding accessibility, or require assistance with this application, please contact accessibility@playwrights.ca.


HOW TO APPLY:

Applications or any questions can be sent to helena@playwrights.ca, with the subject line: Exploring Practice with Andrea Romaldi.

Please include:

1. A bio and/or artistic CV.

2. A brief (1-2 paragraph) statement explaining why this workshop interests you, how it is relevant to your practice as a writer or artist, and what your expectations are.

3. Optional: Playwrights are invited to share a scene of their own work, and have it briefly “dramaturged” during the workshop with Andrea facilitating the discussion. If you wish to submit a scene for this purpose, please include it in your application, and answer the following: what is the problem you’re encountering in writing this scene?

We can’t guarantee that your scene will be selected for discussion during the workshop.


Participation is free. Workshop participants are selected based on the complementary experience of the collective group. We encourage all levels of experience to apply.

PWM is committed to creating an environment where all individuals are treated with dignity and respect.  We are continuously working to make all of our programs accessible and inclusive. While recognizing that the identity of each person is fundamentally plural, and multidimensional, we strongly encourage applications from artists who are: Indigenous (First Nations, Métis, and Inuit), Black, POC, racialized (including recent immigrants), 2SLGBTQQIPAA+, neurodivergent, disabled, living with chronic illness and/or chronic pain. PWM is strongly committed to supporting a wide range of cultural identities and lived experiences, therefore we encourage applicants to self-identify in their application if they are comfortable doing so.


ABOUT THE WORKSHOP LEADER:


This workshop is financially supported by
Compétence Culture Logo

IMPACT CREATION – Celebrate the past year at PWM, and support our work today!

As 2022 comes to a close, we at Playwrights’ Workshop Montréal have been reflecting on the past year’s accomplishments, and planning for next year’s programming with anticipation. It’s an exciting time to announce IMPACT CREATION, our yearly campaign to uplift and support the work we do.

PWM will always be a place for artists in theatre, emerging and established, to connect and reconnect. Being a national hub for new play development in English-theatre is a unique mandate for a Montréal-based organization. Donating to us provides a lasting gift to our artistic communities, both here at home and across the country.

Donations help us realize our core activities. Each year, that typically includes: 

25-30 development workshops, where everyone in the room (playwrights, dramaturgs,  translators, actors, directors and so on) is paid.

50-75 one-on-one dramaturgical consultations, offered to writers and theatre-makers free of charge.

10-20 mentorships that connect emerging artists with established workers in the field, offered to emerging artists free of charge.

2 national residencies where playwrights and translators are paid an honorarium, and all travel, accommodation and meals are provided by PWM. 

And much more!

Help us reach our goal of $5000 by the end of 2022 by donating today. 

We’re continuing our tradition of giving back to the folks who can support our work regularly.  Donors who give $15 or more per month for one year receive the gift of a published play developed in collaboration with PWM, autographed by the playwright! Monthly donations allow our work to be more responsive to the changing needs of projects and artists, by providing us with steady income we know we can count on.

*Gifted editions vary.

Our Interconnected Community Crossword

We recognize not everyone in our community may be in a position to give. We’re happy such a large part of our yearly tradition is something everyone orbiting PWM can enjoy:

Our annual year-in-review crossword puzzle (drawn up by our Program Coordinator, Heather Eaton), spells out the qualities of interconnectedness in our organization! 

Made from words gathered from last year’s collaborations, showcases, notable titles and names, you can complete this puzzle by reviewing our programming details and news updates, as refreshers on what we’ve been up to. Use your PWM know-how to fill in the connections. 

You can fill in and “SUBMIT” through the app above, or by printing, pencilling, and sending a picture of the completed puzzle to heather@playwrights.ca.

You’ll be entered into a draw, with a chance to win your choice of one of the following published plays developed in collaboration with PWM! Be sure to give it a close look over, as you can only submit once. If you leave and come back, your progress will be saved on this page.

Controlled Damage by Andrea ScottOkinum by Émilie MonnetSome Blow Flutes by Mary VingoeThe Law of Gravity by Olivier Sylvestre and translated by Bobby TheodoreAndy’s Gone by Marie-Claude Verdier and translated by Alexis DiamondThe Enchanted Loom by Suvendrini Lena and translated by Dushy GnanapragasamEverybody Just C@lm the F#ck Down by Robert Chafe.

Keep an eye on our social media in the month of December for some direct clues and answers!


The value of a donation to Playwrights’ Workshop Montréal.

Our organization values the creative process first and foremost, and ensures our collaborating artists can do their best work.

A key revelation that came about during the pandemic was how much work remains to be done to make our world a kinder, more inclusive place. We’re working toward greater accessibility in our programming and communications – for instance, we are particularly excited about welcoming both d/Deaf and hearing artists to the Writers’ Room in 2023. Growing our initiatives for capacity-building, such as integrating ASL interpretation into more of our programming, requires the growth of our funds, as well. 

Your support is vital to the work we do and we hope you can play a key part in creating new works for theatre by helping us reach our goal of $5000 by the end of 2022. 

Congratulations 2021/2022 Montreal English Theatre Award Nominees!

The 10th Annual META award recipients have now been announced, and include a number of the PWM collaborations nominated this year.

PWM congratulates Jimmy Blais for receiving the Outstanding New Text award for “Feather Gardens”, a comedic and close-to-home script produced by Hudson Village Theatre.

The 2021/2022 season Montreal English Theatre Awards (METAs) are coming up soon, and as we get ready to celebrate the work of writers, performers, and stage-artists making exceptional English theatre in Montréal, we’re happy to report more than a few PWM collaborations have been included! 

  • Jimmy Blais’ “Feather Gardens” at the Hudson Village Theatre has been nominated for 4 awards, including Outstanding New Text, Outstanding PACT Production, Outstanding Ensemble. Hailey Verbonac received a nomination for Outstanding Emerging Artist in Production, for their work on the show’s lighting and video design.
  • Emilie Monnet has been nominated for an Outstanding Contribution to Theatre for “Okinum”, and for Outstanding Direction alongside co-directors Emma Tibaldo and Sarah Williams. Producers Imago Theatre and Onishka have also been nominated for Outstanding PACT Production with this piece. 
  • Gabe Maharjan’s “From the Stars in the Sky to the Fish in the Sea” has been nominated for Outstanding New Text, with several nominations given to Geordie Theatre’s production team for their set, costume, lighting and sound design.
  • Christine ML Lee, PWM’s very own Office Manager & Program Coordinator (Young Creators Unit and New Stories Project), has been nominated for an Outstanding Emerging Artist in Production award, for her sound design of Teesri Duniya Theatre’s production  “Psycho 6”.

You can see the full list of nominations and learn more about attending the METAs through their website. In-person proceedings are taking place at a brand new venue, Le Gesù theatre, on the evening of November 6th. 

Congratulations to all the award nominees, we can’t wait to celebrate your achievements in style!

Announcing the 2022 Playwrights | Dévoilement des Participant.e.s de 2022

Playwrights’ Workshop Montréal (PWM) and le Centre des auteurs dramatiques (CEAD) in partnership with Creative Gros Morne, the Bonne Bay Aquarium, the Cole Foundation, and Artistic Fraud of Newfoundland are excited to announce the seven playwrights participating in the 2022 Gros Morne Playwrights’ Residency in Newfoundland. 

From October 13 to 24, 2022, Sharon Bala, Lois Brown, Marie-Hélène Larose-Truchon, Johanne Parent, Alicia Payne, Julie-Anne Ranger-Beauregard, and Scout Rexe will be staying at the Bonne Bay Marine Station in Norris Point, located in Gros Morne National Park, Newfoundland and Labrador.

The Gros Morne Playwrights’ Residency is a dual-lingual residency that welcomes playwrights from across the country to write, dream, share and create. The residents will have the opportunity to explore their plays during unstructured writing time, one-on-one dramaturgical conversations, and in group discussions with works being shared every evening. The program offers dramaturgy in French and English.

Look out for future social media posts about the artists and the residency.

Playwrights’ Workshop Montréal (PWM) et le Centre des auteurs dramatiques (CEAD), en partenariat avec Creative Gros Morne, l’Aquarium de Bonne Bay, la Fondation Cole et Artistic Fraud de Terre-Neuve, sont heureux de dévoiler le nom des sept auteurs et autrices qui ont été sélectionnés pour participer à la Résidence canadienne d’auteurs dramatiques de Gros-Morne 2022, à Terre-Neuve-et-Labrador.

Du 13 au 24 octobre 2022, Sharon Bala, Lois Brown, Marie-Hélène Larose-Truchon, Johanne Parent, Alicia Payne, Julie-Anne Ranger-Beauregard et Scout Rexe séjourneront à la Bonne Bay Marine Station de Norris Point, située dans le parc national de Gros Morne, à Terre-Neuve-et-Labrador.

La résidence d’écriture théâtrale de Gros-Morne est une résidence bilingue qui accueille des auteurs de tout le pays pour écrire, rêver, partager et créer. Les résidents auront l’occasion d’explorer leurs pièces pendant des périodes d’écriture non structurées, des conversations dramaturgiques individuelles et des discussions de groupe, les œuvres en développement étant partagées chaque soir. Le programme propose une dramaturgie en français et en anglais.

Surveillez les prochains messages sur les réseaux sociaux concernant les artistes et la résidence.


Meet the playwrights / Rencontrez les auteurs

Sharon Bala, Newfoundland

PLAY IN DEVELOPMENT: UNCERTAINTY PRINCIPLE

Sharon Bala’s bestselling debut novel, The Boat People, won the 2020 Newfoundland & Labrador Book Award and the 2019 Harper Lee Prize for Legal Fiction, was short listed for several awards, and is in translation in four languages. In 2017 she won the Writers’ Trust/ McClelland & Stewart Journey Prize for her short story “Butter Tea at Starbucks” and had a second story on the long-list. Sharon is a member of The Port Authority, a St. John’s writing group.

Visit her at: sharonbala.com

Photo credit: ​​Nadra Ginting


LOIS BROWN, NEWFOUNDLAND

PLAY IN DEVELOPMENT: DRINKING AGAIN

Born in Corner Brook, Newfoundland and educated in Drama at The University of Alberta, Lois Brown established her cross-disciplinary artistic practice in St. John’s. She is past Artistic Animateur of RCA Theatre Company (1993-97), original member and past Curator of Neighbourhood Dance Works (1982-89, 1990-92), and past Artist in Residence and dramaturg at Playwrights’ Workshop Montréal, Montréal, Québec, Canada (2010-13). In 2004, she was one of five Canadian directors short-listed for the Elinore & Lou Siminovitch Prize. In 2005, she was awarded The Victor Martyn Lynch-Staunton Award for outstanding achievement in theatre by a mid-career Canadian artist by The Canada Council for the Arts. She has received numerous recognitions for work and has been inducted into Dance Canada Danse Encore! Dance Hall of Fame. Lois holds a Masters from Memorial University, where she has taught acting and directing. Since an accident in 2008, Lois has brought her growing interest in disability arts aesthetics, and her explorations of dramaturgy and choreography to her ongoing investigation of improvisation and of “things”. The resulting work found her aiming beyond interdisciplinariness, beyond a synthesis of disciplinary approaches towards something else, another dimension of expression and experience. 

Portrait credit: Jeremy Gordaneer


MARIE-HÉLÈNE LAROSE-TRUCHON, QUÉBEC

TEXTE EN COURS DE DÉVELOPPEMENT: (SANS TITRE)

À sa sortie de l’École nationale de théâtre du Canada en écriture dramatique, Marie-Hélène Larose-Truchon gagne le concours « théâtre jeune public et la relève ». Ses pièce Minuit (Leméac) et Un Oiseau m’attend ont reçu des mentions au prix Gratien-Gélinas. Elle est la lauréate du prix Gratien-Gélinas 2021 pour sa pièce Le Jardin d’Éden. Elle est aussi l’autrice des pièces jeune public Crème-Glacée et Amande-Amandine toutes deux publiées chez L’Arche Éditeur. Ces pièces ont été produites par le Petit Théâtre de Sherbrooke, le Double Signes, le théâtre de la Seizième, le théâtre de la Petite Marée et en France par Théâtre en scène et L’insomniaque cie.

Crédit photo: Jessica Garneau


JOHANNE PARENT, NEW BRUNSWICK

TEXTE EN COURS DE DÉVELOPPEMENT: PÂQUES

Johanne Parent a fait des études en littérature à l’Université de Moncton. Sa première pièce remporte le volet jeunesse du Prix littéraire Antonine-Maillet Acadie-vie en 2001. Depuis, ses textes ont fait l’objet de mises en lectures professionnelles notamment au Festival à Haute-voix du Théâtre L’Escaouette et à La Salle des machines du Centre des auteurs dramatiques.  En 2018, elle est invitée par l’Association des théâtres francophones du Canada à participer à une résidence d’écriture à Banff où elle créera les bases d’Ornithorynques. Elle habite le nord du Nouveau-Brunswick.


Alicia payne, Ontario

PLAY IN DEVELOPMENT: WHEN IT MATTERS MOST

Alicia Payne is a multi-disciplinary artist whose credits include theatre, film, television and radio. Professional memberships include, ACTRA, CAEA, Dramatists Guild of America and Playwrights Guild of Canada where she served as president. Alicia facilitates workshops with youth and adults in community and organizational settings. Presentations of Alicia’s work include: Canadian Forces Artists Program Exhibition (Group 6), Atlanta Black Theatre Festival, National Black Theatre Festival (North Carolina) and Valdez Theatre Conference (Alaska). Alicia narrated the audiobook Flower Diary by Molly Peacock and is a co-founder of Arbez Drama Projects. Alicia believes in the power of storytelling to build community.

Photo credit: Richard Yagutilov


JULIE-ANNE RANGER-BEAUREGARD, QUÉBEC

TEXTE EN COURS DE DÉVELOPPEMENT: PORCELAINES

Julie-Anne Ranger-Beauregard est diplômée de l’École Nationale de Théâtre du Canada (Écriture dramatique, 2010) et de l’École Nationale de l’Humour (Scénarisation, 2017). Sa pièce Quatre filles (adaptation du roman Little Women de Louisa May Alcott) a été présentée en mars-avril 2022 sur les planches du Théâtre Denise-Pelletier (m.e.s. Louis-Karl Tremblay). Précédemment, sa pièce Les inconnus (finaliste du prix de la dramaturgie francophone de la SACD, 2015) a été jouée à la Petite Licorne en septembre 2016 (m.e.s. Frédéric Blanchette). Prochainement, elle co-signera l’adaptation du roman Manikanetish de Naomi Fontaine, présentée au Théâtre Duceppe en mars 2023 (m.e.s. Jean-Simon Traversy).

Crédit photo: Guillaume Sauriol Lacoste


scout Rexe, Manitoba

PLAY IN DEVELOPMENT: CULT PLAY

Scout Rexe (they/she) is a playwright and dramaturg. As a writer, their work explores queer and trans identities, celebrity, sexual violence, and social change. Guillermo Verdeccia called Rexe’s first full-length play This is the August (SummerWorks, 2016) a “smart, funny play, rich with the complexities of contemporary life in the west.” Her first short play Lodged in the Body (Theatre of the Beat, 2018-2019) was commissioned and toured Canada and the Netherlands, reaching over 2000 people. Rexe is currently writing O Death, a full length play with music, and Cult Play, which they will be focusing on during their time at Gros Morne.


Robert Chafe (Artistic Fraud),  Sara Dion (CEAD), Fatma Sarah Elkashef (PWM) and  Emma Tibaldo (PWM)  will collaborate as partner-dramaturgs for the group.


Robert Chafe (Artistic Fraud),  Sara Dion (CEAD), Fatma Sarah Elkashef (PWM) et  Emma Tibaldo (PWM) collaboreront en tant que partenaires-dramaturges pour le groupe.

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